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Vocal Repertoire (vocal + repertoire)

Distribution by Scientific Domains

Life Sciences	100%

Selected Abstracts

BUBBLESTREAM WHISTLES ARE NOT REPRESENTATIVE OF A BOTTLENOSE DOLPHIN'S VOCAL REPERTOIRE

MARINE MAMMAL SCIENCE, Issue 1 2005
Deborah Fripp
Abstract Whistling bottlenose dolphins sometimes identify themselves with a concurrent bubblestream, and some researchers use these bubblestream whistles as their sole whistle sample. However, bubblestream whistles are not known to be representative of the entire repertoire. Bubblestreams and whistles were recorded from three captive female dolphins and their newborn calves. Bubblestreams were rare (0.13/min), with calves producing ten times as many as adults. Overall, 79% of bubblestreams were associated with whistles, but only 1 % of whistles were associated with bubblestreams. Bubblestream whistles were not independent: 49% occurred within 1 sec of another bubblestream, and 72% of these had the same contour as other bubblestream whistles in the bout. Bubblestream use was context-dependent: adults were more likely to bubblestream when caring for a calf (P < 0.001), and calves were more likely to bubblestream when other calves were present (P < 0.001). Bubblestreams were not associated with all whistle types. Bubblestream whistles were not evenly distributed across the clusters of a hierarchical cluster analysis of contour parameters using 300 randomly selected non-bubblestream whistles and 92 independent bubblestream whistles (10 clusters, P= 0.003). In conclusion, bubblestreams are rare visual cues that dolphins produce in association with certain whistles in certain contexts and are not representative of the dolphin's repertoire. [source]

,Sympathetic Song': the Silent and the Overt Vocal Repertoire, Exemplified with a Dueting Pair of the African Slate-Coloured Boubou, Laniarius funebris

ETHOLOGY, Issue 9 2000
Uta Seibt
In many bird species the total song repertoire consists of an overt repertoire normally uttered, and a silent repertoire produced only under special circumstances. A silent repertoire can be inferred from specific vocal responses of an individual to hearing parts of its own silent repertoire uttered by another bird (,sympathetic song'). The silent repertoire plays a prominent role in dueting birds, in particular those with sex-specific overt song repertoires, where the overt repertoire of one partner is the silent repertoire of the other. This is here exemplified with a pair of the slate-coloured boubou L. funebris. Silent repertoires should be taken into consideration when relating the complexity of birds' vocal behaviour to the size or structure of their forebrain vocal control areas. [source]

Diversity of the Vocal Signals of Concave-Eared Torrent Frogs (Odorrana tormota): Evidence for Individual Signatures

ETHOLOGY, Issue 11 2009
Albert S. Feng
Male concave-eared torrent frogs (Odorrana tormota) have an unusually large call repertoire and have been shown to communicate ultrasonically. We investigated the individual specificity of male advertisement calls in order to explore the acoustic bases of individual recognition, which was demonstrated in an accompanying study. Vocalizations of 15 marked males were recorded in the field. A quantitative analysis of the signals revealed eight basic call-types. Two of them (the single- and multi-note long-calls) were investigated in more detail. Long-calls were characterized by pronounced and varying frequency modulation patterns, and abundant occurrence of nonlinear phenomena (NLP), i.e., frequency jumps, subharmonics, biphonations and deterministic chaos. The occurrence of NLP was predictable from the contour of the fundamental frequency in the harmonic segment preceding the onset of the NLP, and this prediction showed individual-specific patterns. Fifteen acoustic variables of the long calls were measured, all of which were significantly different among individuals, except biphonic segment duration. Discriminant function analysis (DFA) showed that 54.6% of the calls could be correctly assigned to individual frogs. The correct classification was above chance level, suggesting that individual specificity of calls underlie the ability of males to behaviorally discriminate the vocal signals of their neighbors from those of strangers, a remarkable feat for a frog species with a diverse vocal repertoire. The DFA classification results were lower than those for other anurans, however. We hypothesize that there is a tradeoff between an increase in the fundamental frequency of vocalizations to avoid masking by low-frequency ambient background noise, and a decrease in individual-specific vocal tract information extractable from the signal. [source]

Naked Mole-Rat is Sensitive to Social Hierarchy Encoded in Antiphonal Vocalization

ETHOLOGY, Issue 9 2009
Shigeto Yosida
The maintenance of social relationships is critical for group-dwelling species. Social animals often exhibit behaviors such as antiphonal vocalizations that reduce conflict and maintain affiliations. Naked mole-rats (Heterocephalus glaber) have a complex hierarchical society comparable to that of bees and ants. They are also known for their extensive vocal repertoire, which may have evolved in the absence of visual cues. The most frequent vocalization used by naked mole-rats is the soft chirp (SC). It has an antiphonal nature and may function in rank identification and in maintaining affiliations. Relative body weight differences, which are directly related to social rank, are positively correlated with SC emission rates. SCs are elicited from either physical touch or the SC of another conspecific, and other cues might contribute to SC utterance. In the current study, we examined whether an SC alone was able to elicit SC responses. Specifically, we presented artificial SC-like sounds and determined whether the response rate was modulated by the acoustic properties of the stimulus. An analysis of response latency revealed that animals responded to the audio stimuli, and a single audio stimulus could elicit responses from two animals. Thus, antiphony in naked mole-rats may occur among three or more animals. We also found that animals were able to discriminate the acoustic properties of the stimulus and responded more frequently to audio stimuli resembling SCs from large animals than to those resembling SCs from small animals. Therefore, naked mole-rats may be able to judge social relationships (dominant or subordinate) based solely on SCs. The constraints of subterranean habitats and increased social complexity may have led to the evolution of this communication system. [source]

The use of Artificial Neural Networks to classify primate vocalizations: a pilot study on black lemurs

AMERICAN JOURNAL OF PRIMATOLOGY, Issue 4 2010
Luca Pozzi
Abstract The identification of the vocal repertoire of a species represents a crucial prerequisite for a correct interpretation of animal behavior. Artificial Neural Networks (ANNs) have been widely used in behavioral sciences, and today are considered a valuable classification tool for reducing the level of subjectivity and allowing replicable results across different studies. However, to date, no studies have applied this tool to nonhuman primate vocalizations. Here, we apply for the first time ANNs, to discriminate the vocal repertoire in a primate species, Eulemur macaco macaco. We designed an automatic procedure to extract both spectral and temporal features from signals, and performed a comparative analysis between a supervised Multilayer Perceptron and two statistical approaches commonly used in primatology (Discriminant Function Analysis and Cluster Analysis), in order to explore pros and cons of these methods in bioacoustic classification. Our results show that ANNs were able to recognize all seven vocal categories previously described (92.5,95.6%) and perform better than either statistical analysis (76.1,88.4%). The results show that ANNs can provide an effective and robust method for automatic classification also in primates, suggesting that neural models can represent a valuable tool to contribute to a better understanding of primate vocal communication. The use of neural networks to identify primate vocalizations and the further development of this approach in studying primate communication are discussed. Am. J. Primatol. 72:337,348, 2010. © 2009 Wiley-Liss, Inc. [source]

Sex differences in the vocal repertoire of adult red-capped mangabeys (Cercocebus torquatus): a multi-level acoustic analysis

AMERICAN JOURNAL OF PRIMATOLOGY, Issue 4 2010
Hélène Bouchet
Abstract Sex differences in the vocal behavior of nonhuman primates can take various forms: sex-specific call types, differential production of shared call types, or sex discrepancy in phonation. Also, a growing literature is evidencing that systematically analyzing the vocal repertoires of primates at the call level might lead to underestimating their communicative abilities. Here, we present an extensive multi-level analysis of the still unknown vocal repertoire of adult red-capped mangabeys (Cercocebus torquatus), with a special emphasis on sex differences. We collected recordings from seven adult males and seven adult females housed in captivity. We present a structurally-based classification of mangabey calls that we cross-validated by an analysis of the associated contexts of emission. We found 12 sound units (including six sex-specific) that were concatenated to form eight call types (including four sex-specific), which were produced either singularly or in sequences composed of one ("repetition") or several ("combination") call types. We extracted organizational principles that ruled call composition and calling patterns. This revealed a high degree of potentially meaningful variability in terms of semantics and syntax. Male,female discrepancy in terms of phonation could be related to morphological dimorphism and would enable listeners to behave appropriately according to the sex of the caller. Sex differences in repertoire size, structural gradation, and call usage could reflect specificities of male,female social roles. We discuss the pertinence of these sex differences according to social system and habitat quality. Am. J. Primatol. 72:360,375, 2010. © 2010 Wiley-Liss, Inc. [source]

Duet-splitting and the evolution of gibbon songs

BIOLOGICAL REVIEWS, Issue 1 2002
THOMAS GEISSMANN
ABSTRACT Unlike the great apes and most other primates, all species of gibbons are known to produce elaborate, species-specific and sex-specific patterns of vocalisation usually referred to as ,'songs". In most, but not all, species, mated pairs may characteristically combine their songs in a relatively rigid pattern to produce coordinated duet songs. Previous studies disagree on whether duetting or the absence of duetting represented the primitive condition in gibbons. The present study compares singing behaviour in all gibbon species. Various vocal characteristics were subjected to a phylogenetic analysis using previously published phylogenetic trees of the gibbon radiation as a framework. Variables included the degree of sex-specificity of the vocal repertoire, the occurrence of solo songs, and the preference for a specific time of day for song-production. The results suggest the following scenario for the evolution of gibbon songs: (1) The last common ancestor of recent gibbons produced duet songs. (2) Gibbon duets probably evolved from a song which was common to both sexes and which only later became separated into male-specific and female-specific parts (song-splitting theory). (3) A process tentatively called "duet-splitting" is suggested to have led secondarily from a duetting species to a non-duetting species, in that the contributions of the pair-partners split into temporally segregated solo songs. This appears to be the first time that a non-duetting animal can be shown to be derived from a duetting form. (4) The return to exclusive solo singing may be related to the isolated island distribution of the non-duetting species. [source]

Sex differences in the vocal repertoire of adult red-capped mangabeys (Cercocebus torquatus): a multi-level acoustic analysis

Sexual dimorphism of vocal control nuclei in budgerigars (Melopsittacus undulatus) revealed with Nissl and NADPH-d staining

THE JOURNAL OF COMPARATIVE NEUROLOGY, Issue 1 2005
Steven E. Brauth
Abstract Nissl staining and nicotinamide adenine dinucleotide phosphate diaphorase (NADPH-d) histochemistry were used to explore the existence of sexual dimorphism in vocal control nuclei of adult budgerigars (Melopsittacus undulatus), a parrot species capable of lifelong vocal learning. Behavioral studies indicate that adult males possess larger vocal repertoires than adult females and learn new calls more quickly. The results of the present study show that the volumes of all vocal nuclei, as measured using both Nissl-stained and NADPH-d-stained material, as well as the total numbers of NADPH-d neurons, were 35,110% greater in males. Furthermore, all vocal nuclei exhibit conspicuous NADPH-d staining compared to surrounding fields in both adult males and females. Nevertheless, there were no significant gender differences in either the intensity of neuropil staining or the densities of NADPH-d neurons in vocal nuclei. Moreover NADPH-d neuron somal shapes were similar in males and females. Diameters of NADPH-d neurons in vocal nuclei were 8.5,32% larger in males than in females. Greater size of NADPH-d neuronal somata in males may be a general property of this cell type in budgerigars because a similar gender difference was found in a visual nucleus, the entopallium, which is not directly associated with the vocal control system and does not exhibit sexual dimorphism in total volume or total NADPH-d neuron numbers. Taken together, the results of the present study favor the hypothesis that superior lifelong vocal learning ability in male budgerigars rests largely on larger volumes of vocal control nuclei in males rather than on sexual dimorphism in the internal composition of vocal nuclei. J. Comp. Neurol. 484:15,27, 2005. © 2005 Wiley-Liss, Inc. [source]