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Singing Behavior (singing + behavior)

Distribution by Scientific Domains

Life Sciences	88%

Selected Abstracts

The Effect of Hemosporidian Infections on White-Crowned Sparrow Singing Behavior

ETHOLOGY, Issue 5 2007
Sarah Gilman
Relatively little is known about the effects of specific parasites on sexually selected behavioral traits. We subjected free-living mountain white-crowned sparrows (Zonotrichia leucophrys oriantha) to a playback experiment to identify the effect of hemosporidian parasites on potentially sexually selected song characteristics. We recorded song after a playback of a novel white-crowned sparrow song, meant to simulate a territorial intrusion. Infections with Leucocytozoon or Plasmodium influenced singing behavior, while infection with Haemoproteus had no detectable effect. Specifically, song consistency, as measured using a spectrogram correlation, was influenced by both Plasmodium and Leucocytozoon infection. Additionally, birds infected with Plasmodium sang fewer songs following experimental playback. Thus, relatively widespread parasites, like Plasmodium, may have a strong effect on potentially sexually selected song characteristics. [source]

Singing behavior and singing functions of black-crested gibbons (Nomascus concolor jingdongensis) at Mt. Wuliang, central Yunnan, China

AMERICAN JOURNAL OF PRIMATOLOGY, Issue 7 2009
Peng-Fei Fan
Abstract We used data on loud duetted and solo songs collected from one habituated polygynous group of black-crested gibbons (Nomascus concolor jingdongensis) on Mt. Wuliang, Yunnan, to test several hypotheses about the functions of these songs. The major functions proposed for loud gibbon songs include resource defense, mate defense, pairbonding, group cohesion and mate attraction. Duet bouts are generally initiated by adult males, who select the highest trees near to ridges or on steep slopes as singing trees. Such trees facilitate voice transmission and inter-group communication. Singing trees tended to be located near important food patches and sleeping sites, which supports the resource defense hypothesis. The adult male and two adult females always sang interactively, alternating male phrases with the females' stereotyped great calls, to produce the duets, and females rarely produced great calls if they were more than 30,m from the male. The two females usually produced great calls synchronously during the duet, especially when they were close together. These features support both the mate defense and pairbonding hypotheses. The number of great calls and their degree of synchrony transmit information about spatial relationships and possibly pairbond strength to members to neighboring groups and floating animals. During or after the duet bouts, the adult females and juvenile moved toward to the adult male; and group members maintained a close spatial relationship, which supports the group cohesion hypothesis. Other incidents observed suggest a mate competition role for duets. The adult male always sang when the females started duetting with the subadult male. The subadult male sang solo bouts, but they were not more frequent or longer than bouts initiated by the adult male. Although mate attraction is the likely function of subadult solos, it was not convincingly demonstrated. In conclusion, all hypotheses concerning the function of singing are supported by at least some of the data, and none can be excluded. Am. J. Primatol. 71:539,547, 2009. © 2009 Wiley-Liss, Inc. [source]

Hippocampal lesions impair spatial memory performance, but not song,A developmental study of independent memory systems in the zebra finch

DEVELOPMENTAL NEUROBIOLOGY, Issue 8 2009
David J. Bailey
Abstract Songbirds demonstrate song- and spatial-learning, forms of memory that appear distinct in formal characteristics and fitting the descriptions and criteria of procedural and episodic-like memory function, respectively. As in other vertebrates, the neural pathways underlying these forms of memory may also be dissociable, and include the corresponding song circuit and hippocampus (HP). Whether (or not) these two memory systems interact is unknown. Interestingly, the HP distinguishes itself as a site of immediate early gene expression in response to song and as a site of estrogen synthesis, a steroid involved in song learning. Thus, an interaction between these memory systems and their anatomical substrates appears reasonable to hypothesize, particularly during development. To test this idea, juvenile male or female zebra finches received chemical lesions of the HP at various points during song learning, as did adults. Song structure, singing behavior, song preference, and spatial memory were tested in adulthood. Although lesions of the HP severely compromised HP-dependent spatial memory function across all ages and in both sexes, we were unable to detect any effects of HP lesions on song learning, singing, or song structure in males. Interestingly, females lesioned as adults, but not as juveniles, did lose the characteristic preference for their father's song. Since compromise of the neural circuits that subserve episodic-like memory does very little (if anything) to affect procedural-like (song learning) memory, we conclude that these memory systems and their anatomical substrates are well dissociated in the developing male zebra finch. © 2009 Wiley Periodicals, Inc. Develop Neurobiol 2009 [source]

Social context affects testosterone-induced singing and the volume of song control nuclei in male canaries (Serinus canaria)

DEVELOPMENTAL NEUROBIOLOGY, Issue 10 2006
Géraldine Boseret
Abstract The contribution of social factors to seasonal plasticity in singing behavior and forebrain nuclei controlling song, and their interplay with gonadal steroid hormones are still poorly understood. In many songbird species, testosterone (T) enhances singing behavior but elevated plasma T concentrations are not absolutely required for singing to occur. Singing is generally produced either to defend a territory or to attract a mate and it is therefore not surprising that singing rate can be influenced by the sex and behavior of the social partner. We investigated, based on two independent experiments, the effect of the presence of a male or female partner on the rate of song produced by male canaries. In the first experiment, song rate was measured in dyads composed of one male and one female (M-F) or two males (M-M). Birds were implanted with T-filled Silastic capsules or with empty capsules as control. The number of complete song bouts produced by all males was recorded during 240 min on week 1, 2, 4, and 8 after implantation. On the day following each recording session, brains from approximately one-fourth of the birds were collected and the volumes of the song control nuclei HVC and RA were measured. T increased the singing rate and volume of HVC and RA but these effects were affected by the social context. Singing rates were higher in the M-M than in the M-F dyads. Also, in the M-M dyads a dominance-subordination relationship soon became established and dominant males sang at higher rates than subordinates in T-treated but not in control pairs. The differences in song production were not reflected in the size of the song control nuclei: HVC was larger in M-F than in M-M males and within the M-M dyads, no difference in HVC or RA size could be detected between dominant and subordinate males. At the individual level, the song rate with was positively correlated with RA and to a lower degree HVC volume, but this relationship was observed only in M-M dyads, specifically in dominant males. A second experiment, carried out with castrated males that were all treated with T and exposed either to another T-treated castrate or to an estradiol-implanted female, confirmed that song rate was higher in the M-M than in the M-F condition and that HVC volume was larger in heterosexual than in same-sex dyads. The effects of T on singing rate and on the volume of the song control nuclei are thus modulated by the social environment, including the presence/absence of a potential mate and dominance status among males. 2006 Wiley Periodicals, Inc. J Neurobiol, 2006 [source]

The Effect of Hemosporidian Infections on White-Crowned Sparrow Singing Behavior

SONG VARIATION IN AN AVIAN RING SPECIES

EVOLUTION, Issue 3 2000
Darren E. Irwin
Abstract., Divergence of mating signals can occur rapidly and be of prime importance in causing reproductive isolation and speciation. A ring species, in which two reproductively isolated taxa are connected by a chain of intergrading populations, provides a rare opportunity to use spatial variation to reconstruct the history of divergence. I use geographic variation in the song of a likely ring species, the greenish warbler (Phylloscopus trochiloides) to reconstruct the microevolutionary steps that occurred during divergence of a trait that is often important in speciation in birds. Populations of a western Siberian (P. t. viridanus) and an eastern Siberian (P. t. plumbeitarsus) form of the greenish warbler meet, but do not interbreed in central Siberia; these forms are connected by a chain of interbreeding populations extending in a ring to the south around the treeless Tibetan Plateau. I show that: (1) song structure differs greatly between the two Siberian forms, which share the same habitat; (2) song structure changes gradually around the ring; (3) singing behavior is relatively simple in the Himalayas, but becomes increasingly complex to the north, both to the west and east of the Tibetan Plateau; and (4) song varies along independent axes of complexity in the western and eastern south-north clines. By comparing geographic variation in singing behavior and ecological variables, I distinguish among possible causes of song divergence, including selection based on the acoustic environment, stochastic effects of sexual selection, and selection for species recognition. I suggest that parallel south-to-north ecological gradients have caused a greater intensity of sexual selection on song in northern populations and that the stochastic effects of sexual selection have led to divergence in song structure. [source]

A review of acoustic playback techniques for studying avian vocal duets

JOURNAL OF FIELD ORNITHOLOGY, Issue 2 2010
Sarah B. Douglas
ABSTRACT Playback experiments involve the broadcast of natural or synthetic sound stimuli and provide a powerful tool for studying acoustic communication in birds. Playback is a valuable technique for exploring vocal duetting behavior because it allows investigators to test predictions of the various hypotheses for duet function. Here, we adopt a methodological perspective by considering various challenges specific to studying duetting behavior, and highlighting the utility of different playback designs for testing duet function. Single-speaker playback experiments allow investigators to determine how duetting birds react to different stimuli, but do not simulate duets in a spatially realistic manner. Multi-speaker playback experiments are superior to single-speaker designs because duet stimuli are broadcast with spatial realism and unique and additional predictions can be generated for testing duet function. In particular, multi-speaker playback allows investigators to evaluate how birds respond to male versus female duet contributions separately, based on reactions to the different loudspeakers. Interactive playback allows investigators to ask questions about the time- and pattern-specific singing behavior of birds, and to understand how singing strategies correspond to physical behavior during vocal interactions. Although logistically challenging, interactive playback provides a powerful tool for examining specific elements of duets (such as the degree of coordination) and may permit greater insight into their functions from an operational perspective. Interactive playback designs where the investigator simulates half of a duet may be used to describe and investigate the function of pair-specific and population-wide duet codes. Regardless of experimental design, all playback experiments should be based on a sound understanding of the natural duetting behavior of the species of interest, and should aim to produce realistic and carefully controlled duet simulations. Future studies that couple playback techniques with other experimental procedures, such as Acoustic Location System recordings for monitoring the position of birds in dense vegetation or multimodal techniques that combine acoustic with visual stimuli, are expected to provide an even better understanding of these highly complex vocal displays. RESUMEN Los experimentos de reproducción de sonidos grabados involucran el uso de sonido natural o sintético y proveen una herramienta poderosa para el estudio de la comunicación acústica de las aves. La reproducción de sonidos grabados es una técnica valiosa para explorar las duetas vocales porque permite probar las predicciones de varios hipótesis sobre la función de duetas. Aquí, adoptamos una perspectiva metodológica, considerando los varios retos específicos al estudio del comportamiento de duetas y resaltando la utilidad de diferentes diseños de reproducción de sonidos grabados para probar la función de las duetas. Experimentos de reproducción de sonidos grabados hechas con un parlante permiten una determinación de como las aves que realizan duetas reaccionan a diferentes estímulos, pero no simulan las duetas de una manera espacialmente realística. Experimentos de reproducción de sonidos grabados hechas con múltiples parlantes son superiores a diseños con un solo parlante porque transmiten el sonido de una manera espacialmente realística y generan predicciones únicas y adicionales para probar la función de la dueta. En particular, la reproducción de sonidos grabados con múltiples parlantes permite una evaluación de cómo las aves responden a las contribuciones del macho y de la hembra separadamente, basado en sus reacciones a los diferentes parlantes. La reproducción de sonidos grabados interactiva permite hacer preguntas temporalmente especificas y en relación a patrones especificas sobre el comportamiento de canto. También permite entender como las estrategias de canto corresponden al comportamiento físico durante las interacciones vocales. Aunque es un reto logístico, la reproducción de sonidos grabados interactiva provee una herramienta poderosa para examinar elementos específicos de las duetas (como el grado de coordinación) y podría permitir un mayor conocimiento sobre sus funciones de una perspectiva operacional. Los diseños de la reproducción de sonidos grabados interactivas, en la cual el investigador simula la mitad de una dueta, podrían ser usadas para describir e investigar la función de los códigos de dueta específicos a una pareja y a una población. Sin importar el tipo de diseño experimental, todos los experimentos de reproducción de sonidos grabados deberían ser basadas en una buena comprensión del comportamiento natural de las duetas en la especie de interés, y deberían tener la meta de producir simulaciones de duetas realísticas y cuidadosamente controladas. Se espera que los estudios futuros cuales combinan técnicas de la reproducción de sonidos grabados con otros procedimientos experimentales, como grabaciones del Sistema de Ubicación Acústica para monitorear la posición de aves en vegetación densa, o técnicas multimodales que combinan estímulos acústicos con estímulos visuales, provean un mejor entendimiento de estos despliegues vocales altamente complejos. [source]

Sex differences in songbirds 25 years later: What have we learned and where do we go?

MICROSCOPY RESEARCH AND TECHNIQUE, Issue 6 2001
Gregory F. Ball
Abstract About 25 years ago, Nottebohm and Arnold reported that there are profound male-biased sex differences in volume in selected nuclei in telencephalic portions of the song control system. This review focuses on issues related to the cellular bases of these sex differences in volume and comparative studies that might elucidate the function of this variation between the sexes. Studies utilizing a variety of neurohistological methods in several different species to define the boundaries of two key telencephalic song nuclei HVc and the robust nucleus of the archistriatum (RA) all tend to find a sex difference in volume in agreement with Nissl-defined boundaries. Sex differences in volume in nuclei such as HVc and RA are associated with differences in cell size and cell number. Other attributes of the phenotype of cells in these nuclei are also different in males and females such as the number of cells expressing androgen receptors. Comparative studies have been employed to understand the function of these sex differences in the brain. In some songbird species, females sing rarely or not at all, and the brain nuclei that control song are many times larger volume in males than females. In other species, males and females sing approximately equally, and the brain nuclei that control song are approximately equal between the sexes. Recently, statistical methods have been employed to control for phylogenetic effects while comparing the co-evolution of traits. This analysis indicates that the evolution of sex differences in song has co-evolved with the evolution of sex differences in singing behavior in songbird species. Future studies should focus on the function of the smaller song control nuclei of females and investigate the role these nuclei might play in perception as well as in production. Microsc. Res. Tech. 54:327,334, 2001. © 2001 Wiley-Liss, Inc. [source]

Calling in wild silvery gibbons (Hylobates moloch) in Java (Indonesia): behavior, phylogeny, and conservation

AMERICAN JOURNAL OF PRIMATOLOGY, Issue 1 2006
Thomas Geissmann
Abstract Hardly any behavioral data are available for the silvery gibbon (Hylobates moloch), an endangered primate that is endemic to the island of Java, Indonesia. We studied the singing behavior of the easternmost population of this species in the Dieng mountains, central Java, in 1998,1999. We aimed to document the timing of singing, quantify the amount of singing by the respective sexes, and explore the role of bioacoustics in density estimation. A total of 122 song bouts in at least 12 groups were monitored. No duet songs were heard. Most of the song bouts (91.5%) were female solo song bouts or female scream bouts. In contrast to an earlier study on the westernmost population of silvery gibbons, during which few if any male songs were heard, at least 8.5% of the song bouts in our study were male solo song bouts. They were significantly longer in duration than the female songs. All male song bouts uttered before dawn (0520 hr) were produced in a chorus fashion, with at least three individuals participating. Choruses occurred about once every 8.5 days, and lasted longer and occurred earlier than female solo song bouts. Most male songs (60%) started between 0355,0440 hr, when it was still dark. All female songs, in contrast, started after 0500 hr, and female singing activity peaked around 0600. Regular male singing, male chorusing, and regular predawn singing have not previously been reported for silvery gibbons. Similarly separated periods of male and female solo songs and the absence of duetting have been observed in Kloss's gibbons (H. klossii) on the Mentawai Islands, and may represent synapomorphies shared by both species. The pronounced individual-specific song characteristics of silvery gibbons allow accurate mapping of groups. The density of gibbons at our study site was established to be 1.9,3.7 groups/km2, corresponding to 6.7,13.1 individuals/km2. We reassess the suitability of gibbon songs as a means of estimating the density and size of gibbon populations, and discuss the proximate causes for the absence of duetting in silvery gibbons. Am. J. Primatol. 68:1,19, 2006. © 2006 Wiley-Liss, Inc. [source]