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Public Persona (public + persona)

Distribution by Scientific Domains
Humanities and Social Sciences75%

Selected Abstracts

Ida Vera Simonton's Imperial Masquerades: Intersections of Gender, Race and African Expertise in Progressive-Era America

GENDER & HISTORY, Issue 2 2010
Jeremy Rich
Ida Vera Simonton, a New York socialite, visited the French colony of Gabon in 1906 and 1907. Her subsequent narratives about her stay demonstrate a very ambiguous view of the horrors of European colonialism that she claimed to despise and the amoral nature of Africans. Simonton ultimately employed her stay in Gabon to claim a right to form female self-defence squads in New York and to act as an independent defender of white women. By carefully shaping her public persona to alternately appropriate discourses of masculine regeneration through empire and to highlight her female vulnerability, she made herself into a provocative spectacle. In an ironic twist, given how much Simonton embellished on her own experiences, Broadway producers in 1925 plagiarised her 1912 novel Hell's Playground in their successful play White Cargo. Simonton successfully sued for damages, thus upholding her highly edited version of her trip in law. Her writings expose the intersections of racial anxieties, gendered visions of empire and feminist aspirations in the United States during the Progressive era. [source]

Queenship: Politics and Gender in Tudor England

HISTORY COMPASS (ELECTRONIC), Issue 2 2006
Retha Warnicke
In the Tudor century both queens consort and queens regnant presided at court. The role of consorts reflected that of noblewomen, who were expected to produce a male heir to continue their husband's line, to oversee some household functions, to supervise their female attendants, and to support religious enterprises deemed appropriate to women. In addition, their royal status offered consorts opportunities to engage in court politics and to influence patronage. Because giving birth to a male heir defined the success of their reign, their inability to reproduce or to protect their honor sometimes endangered their position as consort, as Henry VIII's wives discovered. By contrast, in addition to marrying and securing the succession, Mary and Elizabeth Tudor were expected to rule as monarchs. The perceived inability of women to govern led to demands that they heed their male councilors' advice. Concerns about whether her husband would dominate royal decision-making raised questions about Philip II's role in Mary's reign. Elizabeth compensated for her singleness by devising strategies for dealing with her male councilors and through representations of her public persona as male. [source]

Risk as a Window to Agency: A Case Study of Three Decorators

JOURNAL OF INTERIOR DESIGN, Issue 1 2008
Nancy H. Blossom M.A.
ABSTRACT This paper explores the idea of "risk" by examining the role of three women in interior design in the twentieth century (Elsie de Wolfe, 1865,1950; Dorothy Draper, 1888,1969; and Sister Parish, 1929,1994). Women's roles as arbiters of taste were consistent with the social construction of the female gender at the turn of the century; that these roles involved risk,the perception of possible loss or injury,is, for the most part, overlooked by social historians. Our theoretical framework is built upon three keywords from the vocabularies of postmodern social history and women's history: discourse, experience, and agency. These three terms represent the important recognition that the collective understanding of history is not static, but is dependent on the social constructs of the period, as well as (1) how individuals experienced, interpreted, and acted within these constructs and (2) how historians understand and interpret the individual actions in the context of the same constructs. These concepts suggest that individual characters have agency (i.e., power or choice) in framing or reframing an event, based on their unique view of the world. It is through agency that we explore unique qualities of de Wolfe, Draper, and Parish. The stories of de Wolfe, Draper, and Parish demonstrate that risk of traditional values, risk of public persona, and risk of financial security all influenced the ways that they navigated the social and economic circumstances that surrounded them. Each risk, whether imposed on or undertaken by our protagonists, was a seed of change that ultimately affected the social and professional construct of the field of interior design. [source]

Obama on the Stump: Features and Determinants of a Rhetorical Approach

PRESIDENTIAL STUDIES QUARTERLY, Issue 3 2010
KEVIN COE
From the moment Barack Obama entered the national political scene in 2004, his formidable rhetorical skills were a central component of his public persona and his political success. Not surprisingly, a growing body of research has examined Obama's rhetorical techniques. Thus far, however, these studies have consisted almost entirely of qualitative analyses of single speeches, making it difficult to generalize about the broader features of Obama's rhetorical approach and impossible to understand the determinants of his rhetorical choices. This study fills these gaps in the literature by systematically tracking Obama's rhetoric over the course of campaign 2008 and testing competing explanations for the variation that occurs during this period. Using a unique computer-assisted content analysis procedure that draws coding categories directly from the more than 11,500 distinct words that Obama used during his campaign, the authors analyze 183 speeches and debates from his announcement of candidacy in February 2007 to his victory speech in November 2008. Obama's campaign rhetoric varied by speaking context, geography, and poll position, indicating a twofold rhetorical approach of emphasizing policy and thematic appeals while downplaying more contentious issues. [source]