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Public Performance (public + performance)

Distribution by Scientific Domains

Humanities and Social Sciences	80%

Selected Abstracts

Newman and his Audiences: 1825,1845

JOURNAL OF RELIGIOUS HISTORY, Issue 2 2000
W. F. Mandle
This article examines Newman's communication with others in a variety of modes. It suggests there was a deliberate underlying theme of preaching in whatever he did, not only from the pulpit, where his skills were famous, but in virtually all his other forms of discourse, from letter-writing to his setting up of the "retreat" at Littlemore. He used whatever means were available, including marketing and journalism as well as scholarly work, to bring a concept of public witness to his mission. His social life, as evidenced in his generally scrupulously kept appointments diaries, is analysed to demonstrate that it too was part of his holistic approach. The suggestion is that Newman was much more aggressive and publicly aware than is generally recognized and that he combined an intense personal internalizing with active public performance in a wide range of spheres. [source]

Access and Agency in Elizabeth Cary's The Tragedy of Mariam: Early Modern Closet Drama and the Spatialization of Power1

LITERATURE COMPASS (ELECTRONIC), Issue 2 2006
Carol Mejia-LaPerle
This essay was runner-up in the 2005 Literature Compass Graduate Essay Prize, Renaissance Section. Numerous critics have explored the stoic sentiments in Elizabeth Cary's The Tragedy of Mariam (1613), especially the ways in which female characters negotiate the demands of patriarchal force, while expressing a conscience contrary to those demands. However, this essay examines the material conditions necessary for pursuing stoic ideals, prompted by the fact that Cary uniquely depicts female resistance of tyrannical conditions in distinctly spatial terms. Her closet drama consistently deploys literary representations of space to ask important questions about gendered subjects: How is space an expression and enforcement of power upon women? How can spatial configurations be manipulated to alter or circumvent the effects of tyranny? This essay argues that Cary's closet drama depicts power as a force that organizes environments; that is, spatial arrangements that regulate characters' behaviors are also the material manifestations of authority through which the discourses expressing female agency are constructed and contained. Since closet dramas were not written for public performance but for consumption within a domestic setting, spatial arrangements are apprehended through, indeed are never prior to, the act of reading. The reader perceives the play's landscape , the play's space , through the characters' language. This study tests the reciprocity between space and words, specifically the way spatialization in the play facilitates the processes and practices of female speech. [source]

When Being Different Is Detrimental: Solo Status and the Performance of Women and Racial Minorities

ANALYSES OF SOCIAL ISSUES & PUBLIC POLICY, Issue 1 2002
Mischa Thompson
Individuals experience solo status when they are the only members of their social category (e.g., gender or race) present in an otherwise homogenous group. Field studies and surveys indicate that members of socially disadvantaged groups, such as women and racial minorities, have more negative experiences as solos than do members of privileged groups, such as Whites and males (Kanter, 1977; Niemann & Dovidio, 1998). In this article, we review research showing that the public performance of women and African-Americans is more debilitated by solo status than that of Whites and males. We also show that this effect is exacerbated when negative stereotypes about the performer's social group seem relevant to their performance, and we discuss the contributing roles of lowered performance expectancies and feelings of group representativeness. We discuss how findings from social psychological research can be applied towards the goal of reducing the decrements typically associated with being the only member, or one of few members, of one's race and/or gender in the environment. [source]

The Messiness of Everyday Life: Exploring Key Themes in Latin American Citizenship Studies Introduction

BULLETIN OF LATIN AMERICAN RESEARCH, Issue 2 2004
Lucy Taylor
This section seeks to provide a brief theoretical framework for the study of citizenship in Latin America by focusing on two characteristics which are of relevance to the essays collected here: belonging and political agency. It then goes on to discuss some key themes which emerge from a reading of the collected articles: methodology; civilisation and deviation; citizenship as the organisation of subordinate inclusion; popular ideas of citizenship as ,fairness'; role of public performance in defining political relationships. [source]

Remembering the auca: violence and generational memory in Amazonian Ecuador

THE JOURNAL OF THE ROYAL ANTHROPOLOGICAL INSTITUTE, Issue 4 2009
Casey High
In Amazonian Ecuador and beyond, indigenous Waorani people have received considerable attention for their history of revenge killings during much of the twentieth century. In pointing to the heterogeneous forms of social memory assigned to specific generations, the article describes how oral histories and public performances of past violence mediate changing forms of sociality. While the victim's perspective in oral histories is fundamental to Waorani notions of personhood and ethnic identity, young men acquire the symbolic role of ,wild' Amazonian killers in public performances of the past. Rather than being contradictory or competing historical representations, these multiple forms of social memory become specific generational roles in local villages and in regional inter-ethnic relations. The article suggests that, beyond the transmission of a fixed package of historical knowledge, memory is expressed in the multiple and often contrasting forms of historical representation assigned to particular kinds of people. Résumé En Amazonie équatorienne et ailleurs, les peuples autochtones Waorani ont bénéficié d'une attention considérable pendant une bonne part du XXe siècle pour leur histoire de vendetta. En pointant l'hétérogénéité des formes de mémoire sociale associées à différentes générations, l'auteur décrit la façon dont les histoires orales et les performances publiques des violences passées médient des formes changeantes de socialité. Tandis que le point de vue de la victime dans ces récits oraux est fondamental dans les notions de personnalité et d'identité ethnique des Waoranis, les jeunes gens acquièrent le rôle symbolique des tueurs amazoniens « sauvages » lors de performances publiques évoquant le passé. Plutôt que des représentations historiques contradictoires ou concurrentes, ces multiples formes de mémoire sociale se muent en rôles générationnels spécifiques dans les villages locaux et en relations interethniques régionales. L'auteur suggère qu'au-delà de la transmission d'un bagage immuable de connaissances historiques, la mémoire s'exprime dans les formes multiples et souvent très différentes de représentation historique attribués à certaines catégories de personnes. [source]