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Archaeological Information (archaeological + information)

Distribution by Scientific Domains

Humanities and Social Sciences	75%

Selected Abstracts

The ethics, politics, and realities of maritime archaeology in Southeast Asia

INTERNATIONAL JOURNAL OF NAUTICAL ARCHAEOLOGY, Issue 1 2002
Michael Flecker
There is a constant battle between maritime archaeologists and commercial salvors throughout the world. In many developed countries, the arguments of archaeologists are valid, and their actions fully justify their stance. This is not so in Southeast Asia. In this region, archaeological information is being lost on a massive scale. Co-operation between the two groups, and with regional governments, is essential to prevent more irreparable damage. [source]

Camels and Arabian balîya and other forms of sacrifice: a review of archaeological and literary evidence

ARABIAN ARCHAEOLOGY AND EPIGRAPHY, Issue 1 2009
Geoffrey KingArticle first published online: 17 APR 200
The paper surveys the recent archaeological information for the balîya immolation tradition of pre-Islamic Arabia, whereby a camel or other valued animal was slaughtered to accompany a person of status in death so that they had an animal to ride or to maintain their status in the afterlife. In contrast to the dhibh immolation, which is prescribed in the Holy Qur'ân in memory of the sacrifice of the Prophet Ibrâhîm, the balîya is forbidden in Islam. Unlike the dhibh immolation, the balîya sacrifice was interred whole and provides precise archaeological information about the circumstances of its slaughter and burial. Information about such immolations derives largely from excavations in southern and eastern Arabia. [source]

Characterization of buried inundated peat on seismic (Chirp) data, inferred from core information

ARCHAEOLOGICAL PROSPECTION, Issue 4 2007
Ruth Plets
Abstract Peat horizons provide a wide range of critical environmental and direct archaeological information for both archaeologists and Quaternary geologists. At present, such data are typically obtained from terrestrial exposures or cores, and occasional offshore cores. These data can provide invaluable and detailed site-specific environmental information but require a relatively high spatial sampling strategy to provide more regional-scale information. Through a comparison of laboratory, in situ acoustic and sedimentary analyses, this paper presents evidence to suggest that peat buried in fine to medium grained, marine, siliciclastic sediments has an easily identifiable acoustic signature. The very low densities recorded by buried peats result in a distinct negative peak in the reflectivity series. Comparison of synthetic seismograms with in situ seismic data confirms that this negative peak can be easily identified from seismic profiles. Reanalysis of a decade of Chirp (sub-bottom) data, acquired from the Solent Estuary, indicates that possible extensive peat deposits, dating from the Late-glacial to early Holocene, can be traced at depth in this estuary using geophysical methods. The results of this study could be significant for future research into submerged landscape reconstructions. Copyright © 2007 John Wiley & Sons, Ltd. [source]

The Sources and Fortunes of Piranesi's Archaeological Illustrations

ART HISTORY, Issue 4 2002
Susan M. Dixon
Susan M. Dixon earned her doctorate from Cornell University in 1991 with a dissertation on the archaeological publications of Giovanni Battista Piranesi. She studies the history of pre,scientific archaeology, from Pirro Ligorio to Piranesi, with a particular focus on illustration as a means to convey historical knowledge. She has published on this subject in a variety of venues, and is beginning a book,length manuscript on the subject. In 1995,96, she was awarded a J. Paul Getty post,doctoral fellowship to study the Accademia degli Arcadi, a society founded in 1690 primarily to restore good taste in literature, and its successes and failures in bringing about the reform of Italian society and architecture. She has written a book entitled The Bosco Parrasio: Performance and Perfectibility in the Garden of the Arcadians, which focuses on their garden meeting place as a breeding ground for a utopian society. Dr Dixon teaches art history at the University of Tulsa in Oklahoma. Giovanni Battista Piranesi (1720,1778) developed a way of representing the archaeological past by using the multi,informational image, an engraved illustration which appears to be a composite of various drawings, on various surfaces, and employing various modes of representation, scale and detail. The cartographic tradition, particularly maps from sixteenth,century Europe, offer a precedent for this type of illustration. Piranesi found theoretical underpinnings for it in contemporary discussions about the workings of the human memory, which was identified as a viable tool for those pursuing historical knowledge. His illustrations make visible the processes of memory on an assemblage of archaeological information, and they were a means to historical reconstruction. Archaeologists of the generation after Piranesi did not use the multi,informational image as the science of archaeology underwent a sea change at the end of the century. However, some compilers of travel literature, in particular Jean,Laurent,Pierre HoÃ,el, author and illustrator of Voyage pittoresque des isles de Sicile, de Malte, et de Lipari, found the format suitable to their purposes. Like Piranesi's, Hoüel's multi,informational images reveal the hand of the artist on the information he had diligently collected and ordered; Hoüel's picturesque illustrations of the southern Italian islands' people and places are self,consciously subjective. The format also makes apparent what was so appealing to many a voyager ,the apparent survival of the past in the culture of the present. [source]