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Museum
Kinds of Museum Terms modified by Museum Selected AbstractsWHY ARE SOME SCIENCE MUSEUM EXHIBITS MORE INTERESTING THAN OTHERS?CURATOR THE MUSEUM JOURNAL, Issue 3 2000Jay Rounds First page of article [source] PLANNING FOR A NATURAL HISTORY MUSEUM IN A UNIVERSITY ENVIRONMENT: A CASE STUDYCURATOR THE MUSEUM JOURNAL, Issue 2 2000Scott M. Lanyon First page of article [source] A Combinatorial Approach to the Variable Selection in Multiple Linear Regression: Analysis of Selwood et al.MOLECULAR INFORMATICS, Issue 6 2003A Case Study, Data Set Abstract A combinatorial protocol (CP) is introduced here to interface it with the multiple linear regression (MLR) for variable selection. The efficiency of CP-MLR is primarily based on the restriction of entry of correlated variables to the model development stage. It has been used for the analysis of Selwood et al data set [16], and the obtained models are compared with those reported from GFA [8] and MUSEUM [9] approaches. For this data set CP-MLR could identify three highly independent models (27, 28 and 31) with Q2 value in the range of 0.632,0.518. Also, these models are divergent and unique. Even though, the present study does not share any models with GFA [8], and MUSEUM [9] results, there are several descriptors common to all these studies, including the present one. Also a simulation is carried out on the same data set to explain the model formation in CP-MLR. The results demonstrate that the proposed method should be able to offer solutions to data sets with 50 to 60 descriptors in reasonable time frame. By carefully selecting the inter-parameter correlation cutoff values in CP-MLR one can identify divergent models and handle data sets larger than the present one without involving excessive computer time. [source] THE MUSEUM AS METHODMUSEUM ANTHROPOLOGY, Issue 1 2010Nicholas Thomas ABSTRACT This speculative comment considers the potential worth of raising questions that appear simple but may be rewardingly complex. It asks whether routine aspects of curatorial work, such as captioning objects and juxtaposing them in displays, may not have more suggestive dimensions than has been recognized previously. It asks what the implications of a conception of "the museum as method" might have for current approaches to public exhibition. [source] A PUNIC JUG FROM THE MUSEUM OF ST AGATHA, RABAT, MALTA: A GLANCE AT PUNIC EVERYDAY LIFEOXFORD JOURNAL OF ARCHAEOLOGY, Issue 2 2005ANNELIESE HÜBNER Summary. The assumption of a long-term overlapping or co-existence of cultures there has been confirmed by a very small inscription which came to my attention during research for my doctoral thesis ,From Expansion to Isolation. A study on the development of the Phoenician,Punic culture on the islands of Malta and Gozo'. Pottery chronology and the use of epigraphy and palaeography illustrate that at a time when Malta and Gozo had long been under Roman rule, the harmonious co-existence of the Punic, Greek and Roman cultures was manifested in one vessel and in one inscription. The Maltese archipelago assumes a special status owing to its isolation. There is hardly any comparable area of 246 sq km in which the phenomenon of cultural overlapping and cultural parallels can be found in such density. [source] DAIDALOS AND IKAROS ON AN APULIAN FRAGMENT NEWLY ACQUIRED BY THE BRITISH MUSEUMBULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES, Issue 1 2009SUSAN WOODFORD First page of article [source] ANOTHER VIEW MUSEUMS AS SYMBOLSCURATOR THE MUSEUM JOURNAL, Issue 2 2003Andrew J. Pekarik First page of article [source] THE ART AND SCIENCE OF SEEING: APPLYING VISUAL LITERACY INTERPRETATION IN NATURAL HISTORY MUSEUMSCURATOR THE MUSEUM JOURNAL, Issue 4 2002Johanna Jones Senior Associate First page of article [source] YOUNG CHILDREN'S INTERACTIVE EXPERIENCES IN MUSEUMS: ENGAGED, EMBODIED, AND EMPOWERED LEARNERS,CURATOR THE MUSEUM JOURNAL, Issue 3 2001BARBARA PISCITELLI First page of article [source] MUSEUMS AS AGENTS FOR SOCIAL AND POLITICAL CHANGE,CURATOR THE MUSEUM JOURNAL, Issue 3 2001DAWN CASEY First page of article [source] OUTCOMES AND EXPERIENCE: NEW PRIORITIES FOR MUSEUMSCURATOR THE MUSEUM JOURNAL, Issue 1 2001Judith C. Siegel First page of article [source] THE CHANGING NATURE OF MUSEUMSCURATOR THE MUSEUM JOURNAL, Issue 4 2000Gordon Freedman The historical circumstances,scientific, social, and economic,that brought forth the great museums of the world no longer exist. In their place is a new public context that shifts attention from museums whose business is objects to organizations whose business is information. At the same time, the economic-survival mechanism of museums is shifting from grand philanthropy to innovative development programs and market-sensitive commercial endeavors. Meeting the needs of the next generations of visitors and cultivating the next generation of funders will not be simple. Massive changes in the social fabric of the nation will soon demand new kinds of institutions that play new roles in society. Museums that meet this challenge will not simply be competing with other sectors of society for public attention and funds. Future success will require the fundamental reinvention of museums so that their purpose is obvious and their mission is clearly aligned with the needs of future generations. [source] REPATRIATION FROM SCOTTISH MUSEUMS: Learning from NAGPRAMUSEUM ANTHROPOLOGY, Issue 2 2010Neil G. W. Curtis ABSTRACT Museums in Scotland have been involved in a number of high-profile repatriation cases over the past 20 years, including Glasgow Museums' return of the Ghost Dance Shirt in 1999, the repatriation of human remains from the University of Edinburgh since 1991, and the repatriation by the University of Aberdeen of a sacred bundle in 2003. This paper considers the approaches taken to the repatriation of human remains and sacred items by museums in Scotland. Working without specific legislation like the United States' 1990 Native American Graves Protection and Repatriation Act (NAGPRA), some museums in Scotland have developed procedures with which to consider repatriation requests. In particular, this paper discusses the advantages of "educative" criteria within such processes. Also considered are features of Scottish history and cultural identities that have affected the responses by museums and the public to requests for repatriation, while arguing that museums, like those in Scotland, operating without repatriation legislation should take the opportunity to engage voluntarily with the issue and so be involved in creating an appropriate contemporary role for themselves. [source] ARCHAEOMETRY AND MUSEUMS: FIFTY YEARS OF CURIOSITY AND WONDER,ARCHAEOMETRY, Issue 6 2008M. F. GUERRA Artefacts and works of art kept in museum collections originated in many cases from ancient private collections. In such cases, a partial or total absence of historical information may create additional problems concerning their authenticity. The study of museum collections and their preservation requires the use of analytical techniques but also combined examination techniques not commonly necessary for the study of archaeological objects. This paper gives an overview of the importance of museum items for the understanding of the past, the difficulties relating to their authentication and the significant advances brought about by science-based techniques, in particular those cases discussed in Archaeometry during the past 50 years. [source] "Passion on All Sides": Lessons for Planning the National September 11 Memorial MuseumCURATOR THE MUSEUM JOURNAL, Issue 1 2010Alice M. Greenwald First page of article [source] Fred Wilson, PTSD, and Me: Reflections on the History WarsCURATOR THE MUSEUM JOURNAL, Issue 4 2009Ken Yellis But if history is destined to be contested, where should museums be in that contest and how do we get there? Fred Wilson's Mining the Museum has turned out to be a path not taken; Enola Gay was a cautionary tale. But we should have these fights in museums, where the national narrative is blocked out and staged, because of how museums teach us, opening hidden windows on cloaked realities. Museums can start by becoming clearer about what they think they are doing when they make an exhibition. Exhibitions can have a profound effect on visitors at many levels but it doesn't happen very often. Is that because visitors seek another kind of experience from what we typically offer? [source] "A Large Object with a Small Museum": A Narrative Analysis of Tlotlo's Experience of an Astronomy Science CenterCURATOR THE MUSEUM JOURNAL, Issue 3 2009Anthony Lelliott We illustrate the power of narrative in illuminating the importance of the student's perspective in understanding the conditions for learning in a museum setting. Using principles of narrative presentation, the paper describes Tlotlo's thinking throughout his participation in a school visit to the visitors' center at a radio telescope. The paper discusses six features of the visit: student misconceptions; inadequate preparation and followup; memories and imaginings; enjoyment; discussing the visit afterwards; and socioeconomic constraints on visits. These features are examined within the context of a developing country: both confirming previous research on school visits and providing new insights into how such visits can be interpreted. The significance of narrative analysis for science center educators is discussed and suggested as appropriate for current research in museums. [source] Small Wonder: Using SEM Images to Exhibit the "Small Stuff"CURATOR THE MUSEUM JOURNAL, Issue 3 2009Alwynne B. Beaudoin In 2007, the Royal Alberta Museum held an exhibition of 28 SEM (scanning electron microscope) images of seeds and other subfossil macroremains, which were shown in a fine-art format. The exhibition was prepared by a museum team using images derived from in-house curatorial research work. This paper describes the exhibition components and reports on an attempt to engage the visitors more closely with the images by asking them to suggest identifications for some "mystery" specimens. [source] Slavery, Memory, and Museum Display in Baltimore: The Great Blacks in Wax and the Reginald F. LewisCURATOR THE MUSEUM JOURNAL, Issue 2 2009Marcus Wood The analysis deals with the question by focusing on the radically contrasting museological, aesthetic, and ethical codes of the Great Blacks in Wax Museum, and the Reginald Lewis Museum, both situated in Baltimore, Maryland. Three key sites are isolated for discussion: the names of the museums, their approaches to the topic of the Middle Passage, and lynching. While both museums have made important cultural contributions to the public memorialization of highly charged subjects, the Great Blacks in Wax emerges as the more radical institution, closely in touch with the dynamic and creative museum aesthetic of the wider Black Atlantic Diaspora, and of Brazil in particular. [source] "Let's Go to MY Museum": Inspiring Confident Learners and Museum Explorers at Children's MuseumsCURATOR THE MUSEUM JOURNAL, Issue 1 2007Carol Enseki Recent guests have arrived from as far away as Israel, Ecuador, Japan, and Australia, and as nearby as the Bronx. In the United States, children's museums represent one of the youngest and fastest growing cultural sectors. Our field was founded in 1899 with the opening of the Brooklyn Children's Museum. Anna Billings Gallup, an influential curator and director at the museum from 1902 to 1937, spoke widely about the value of bringing the child into the forefront of museum activities. In the United States, the field grew slowly but steadily to four children's museums in 1925 and to approximately 38 by 1975. In the last three decades, sparked by the groundbreaking work of Michael Spock at the Boston Children's Museum, the field has been energized by an extraordinary boom in new and expanding children's museums. Today there are approximately 350 worldwide. [source] Media in the Museum: A Personal HistoryCURATOR THE MUSEUM JOURNAL, Issue 1 2007Selma Thomas In the past 15 years, both the formats and the applications have changed dramatically, altering the relationships between museums and visitors, and between visitors and collections. Taking on the challenge of the newest media allows museums to experiment and to reinvigorate their interpretive programs. [source] Packaging the Evolving MuseumCURATOR THE MUSEUM JOURNAL, Issue 1 2006Hillel Schocken First page of article [source] The Abraham Lincoln Presidential Library and Museum The Civil War in Four MinutesCURATOR THE MUSEUM JOURNAL, Issue 1 2006Beverly Serrell First page of article [source] Think Globally, Publish Virtually, Act Locally: A U.S.-Saudi International Museum PartnershipCURATOR THE MUSEUM JOURNAL, Issue 1 2005Paul Michael Taylor ABSTRACT This paper examines an on-going cooperative project between the National Museum of the Kingdom of Saudi Arabia and the National Museum of Natural History, Smithsonian Institution, undertaken within the framework of the International Partnership Among Museums (IPAM) program of the American Association of Museums. The project,Written in Stone: Epigraphy from the National Museum of Saudi Arabia,is a virtual Web exhibition of inscriptions dating from the late second millennium B.C. to the nineteenth century AD. It is undoubtedly representative of many special-purpose cooperative projects (for exhibitions, research, or other purposes) that are taking place across international boundaries between pairs or groups of museums in various countries. Such collaborations provide examples of how partner institutions can take advantage of the opportunities that globalization and standardization of museum practices offer. [source] The Making of "America on the Move" at the National Museum of American HistoryCURATOR THE MUSEUM JOURNAL, Issue 1 2004Steven Lubar This case study examines the curatorial challenges of producing a very large exhibition at the Smithsonian's National Museum of American History from 1999 to 2003. This is an insider's look at how a cross-functional exhibition team worked to produce a compelling new exhibition. Among the issues addressed are: development of a theme; choice and use of artifacts; presentation organization and techniques; issues of truth, authenticity and accuracy in history exhibitions; and practical issues of exhibition team organization and contract management. [source] Minting in Vandal North Africa: coins of the Vandal period in the Coin Cabinet of Vienna's Kunsthistorisches MuseumEARLY MEDIEVAL EUROPE, Issue 3 2008Guido M. Berndt This paper offers a re-examination of some problems regarding the coinage of Vandal North Africa. The coinage of this barbarian successor state is one of the first non-imperial coinages in the Mediterranean world of the fifth and sixth centuries. Based on the fine collection in the Coin Cabinet of Vienna's Kunsthistorisches Museum, this article questions the chronology of the various issues and monetary relations between the denominations under the Vandal kings, especially after the reign of Gunthamund (484,96). The Vandals needed and created a solid financial system. In terms of political, administrative and economic structures they tried to integrate their realm into the changing world of late antiquity and the early Middle Ages. [source] The seal of Alaric, rex GothorumEARLY MEDIEVAL EUROPE, Issue 3 2008Genevra Kornbluth A sapphire ring stone in the Kunsthistorisches Museum in Vienna which bears the legend ALARICVS REX GOTHORVM fits well into a late fifth/early sixth-century context. Forgery is highly unlikely. It was probably meant to seal letters and secure valuables, though chancery use is possible. Its composition, most probably modelled on imperial coinage, combines with an extremely high-status medium to present a flattering picture of Alaric as a peaceful king. This paper suggests that Theoderic the Ostrogoth may have commissioned the intaglio in an effort to avert war between the Franks and Visigoths, and to enhance his own status. [source] Life in Darwin's dust: intercontinental transport and survival of microbes in the nineteenth centuryENVIRONMENTAL MICROBIOLOGY, Issue 12 2007Anna A. Gorbushina Summary Charles Darwin, like others before him, collected aeolian dust over the Atlantic Ocean and sent it to Christian Gottfried Ehrenberg in Berlin. Ehrenberg's collection is now housed in the Museum of Natural History and contains specimens that were gathered at the onset of the Industrial Revolution. Geochemical analyses of this resource indicated that dust collected over the Atlantic in 1838 originated from the Western Sahara, while molecular-microbiological methods demonstrated the presence of many viable microbes. Older samples sent to Ehrenberg from Barbados almost two centuries ago also contained numbers of cultivable bacteria and fungi. Many diverse ascomycetes, and eubacteria were found. Scanning electron microscopy and cultivation suggested that Bacillus megaterium, a common soil bacterium, was attached to historic sand grains, and it was inoculated onto dry sand along with a non-spore-forming control, the Gram-negative soil bacterium Rhizobium sp. NGR234. On sand B. megaterium quickly developed spores, which survived for extended periods and even though the numbers of NGR234 steadily declined, they were still considerable after months of incubation. Thus, microbes that adhere to Saharan dust can live for centuries and easily survive transport across the Atlantic. [source] Prolegomenon to a history of paleoanthropology: The study of human origins as a scientific enterprise.EVOLUTIONARY ANTHROPOLOGY, Issue 5 2004Part 1. Interest in the history of paleoanthropology and the other disciplines related to human origins studies has grown considerably over the last several decades. Some very informative historical surveys have been written by prominent scientists reflecting on the major developments in their fields. Some well-known early examples include Glyn Daniel's The Idea of Prehistory (1962) and The Origins and Growth of Archaeology (1967), which focus primarily on the history of archaeology, Kenneth Oakley's "The problem of man's antiquity: an historical survey" published in the Bulletin of the British Museum (Natural History) [Geology] (1964), and L. S. B. Leakey's Unveiling Man's Origins; Ten Decades of Thought about Human Evolution (1969), with the latter two focusing on the contributions of geology, paleontology, and biology to the problem of human evolution. [source] A new body mass estimation of Brachiosaurus brancai Janensch, 1914 mounted and exhibited at the Museum of Natural History (Berlin, Germany)FOSSIL RECORD-MITTEILUNGEN AUS DEM MUSEUM FUER NATURKUNDE, Issue 1 2008Hanns-Christian Gunga Abstract Body mass and surface areas are important in several aspects for an organism living today. Therefore, mass and surface determinations for extinct dinosaurs could be important for paleo-biological aspects as well. Based on photogrammetrical measurement the body mass and body surface area of the Late Jurassic Brachiosaurus brancai Janensch, 1914 from Tendaguru (East Africa), a skeleton mounted and exhibited at the Museum of Natural History in Berlin (Germany), has been re-evaluated. We determined for a slim type of 3D reconstruction of Brachiosaurus brancai a total volume of 47.9 m3 which represents, assuming a mean tissue density of 0.8 kg per 1,000 cm3, a total body mass of 38,000 kg. The volume distributions from the head to the tail were as follows: 0.2 m3 for the head, neck 7.3 m3, fore limbs 2.9 m3, hind limbs 2.6 m3, thoracic-abdominal cavity 32.4 m3, tail 2.2 m3. The total body surface area was calculated to be 119.1 m2, specifically 1.5 m2 for the head, 26 m2 neck, fore limbs 18.8 m2, hind limbs 16.4 m2, 44.2 m2 thoracic-abdominal cavity, and finally the tail 12.2 m2. Finally, allometric equations were used to estimate presumable organ sizes of this extinct dinosaur and to test whether their dimensions really fit into the thoracic and abdominal cavity of Brachiosaurus brancai if a slim body shape of this sauropod is assumed. (© 2008 WILEY-VCH Verlag GmbH & Co. KGaA, Weinheim) [source] | |||||||||||||||||||||||||||||||||||||||||||||||||