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Media Studies (media + studies)
Selected AbstractsNonviolence and Media StudiesCOMMUNICATION THEORY, Issue 2 2005Vamsee Juluri This article proposes a meeting of media studies and the philosophy of nonviolence in order to better critique the tendency in popular media discourses about war and international conflict to naturalize violence as an eternal and essential human trait. Nonviolence exposes certain foundational myths about violence in the media; namely, the myths that violence is cultural (as implied in the "clash of civilizations" thesis), historical, or natural. However, this is possible only if nonviolence is retrieved from its present marginalization as a mere technique for political activism or personal behavior and understood more accurately as a coherent, universal, practical worldview that can inform a critical engagement with media discourses of violence. Using Gandhi's writings on nonviolence, this essay aims to initiate such an understanding, particularly in connection with existing critical approaches to media violence, such as cultivation research and cultural studies, and concludes by proposing a set of concrete questions for media research based on nonviolence. [source] Finding Meaning in Memory: A Methodological Critique of Collective Memory StudiesHISTORY AND THEORY, Issue 2 2002Wolf Kansteiner The memory wave in the humanities has contributed to the impressive revival of cultural history, but the success of memory studies has not been accompanied by significant conceptual and methodological advances in the research of collective memory processes. Most studies on memory focus on the representation of specific events within particular chronological, geographical, and media settings without reflecting on the audiences of the representations in question. As a result, the wealth of new insights into past and present historical cultures cannot be linked conclusively to specific social collectives and their historical consciousness. This methodological problem is even enhanced by the metaphorical use of psychological and neurological terminology, which misrepresents the social dynamics of collective memory as an effect and extension of individual, autobiographical memory. Some of these shortcomings can be addressed through the extensive contextualization of specific strategies of representation, which links facts of representation with facts of reception. As a result, the history of collective memory would be recast as a complex process of cultural production and consumption that acknowledges the persistence of cultural traditions as well as the ingenuity of memory makers and the subversive interests of memory consumers. The negotiations among these three different historical agents create the rules of engagement in the competitive arena of memory politics, and the reconstruction of these negotiations helps us distinguish among the abundance of failed collective memory initiatives on the one hand and the few cases of successful collective memory construction on the other. For this purpose, collective memory studies should adopt the methods of communication and media studies, especially with regard to media reception, and continue to use a wide range of interpretive tools from traditional historiography to poststructural approaches. From the perspective of collective memory studies, these two traditions are closely related and mutually beneficial, rather than mutually exclusive, ways of analyzing historical cultures. [source] Re-engaging the Intersections of Media, Politics and Cities , Introduction to a DebateINTERNATIONAL JOURNAL OF URBAN AND REGIONAL RESEARCH, Issue 1 2009SCOTT RODGERS Within contemporary social theory and social science, urban and media studies are seen as zones of speciality, with distinctive theoretical traditions and substantive concerns. This introduction situates the four short essays making up this Debates and Developments section in relation to a recent interdisciplinary workshop held in June 2008 at The Open University in Milton Keynes, UK, where participants were encouraged to experiment with and rework the longstanding conceptual differences and disciplinary policing that so often sets apart media and urban studies. The essays showcased here focus on the theoretical approaches urban scholars might bring to bear on studies of how cities and media come together around matters of politics. Résumé Dans le cadre de la théorie sociale contemporaine et des sciences sociales, les études urbaines et relatives aux médias sont considérées comme des domaines de spécialité assortis de traditions théoriques et de préoccupations majeures distinctes. Cette introduction situe les quatre courtes contributions aux ,Débats et développements' par rapport à un récent séminaire interdisciplinaire qui s'est tenu en juin 2008 à l'Open University de Milton Keynes, en Angleterre. Les participants y étaient invités àéprouver et remanier les divergences conceptuelles persistantes et l'ordre disciplinaire qui, si souvent, séparent études urbaines et études sur les médias. Les textes présentés ici portent principalement sur les approches théoriques que la recherche urbaine pourrait mettre en oeuvre pour étudier comment villes et médias se rejoignent autour de sujets de politique. [source] The SARS Crisis: Was Anybody Responsible?JOURNAL OF CONTINGENCIES AND CRISIS MANAGEMENT, Issue 2 2006Stephanie Buus As scholars in fields such as media studies, crisis studies and public policy studies have argued, there exists a fundamental link between crises and the media. Once an event has been interpreted as a crisis, questions of accountability inevitably appear on the media agenda, and the struggle to attribute blame and responsibility to a specific entity or entities,the blame game,thus becomes an inexorable part of the crisis process. Focusing on three liberal Western newspapers with an international, primarily Western elite readership and a reputation for in-depth analysis of global events, The Economist, the Financial Times and the International Herald Tribune, this article employs Iyengar's and Valkenburg's notions of responsibility frames to examine whether initial coverage of the 2003 SARS crisis in these accounts held any particular entity accountable for the crisis, looks at three key themes used to communicate to the reader a particular way of thinking about responsibility for SARS and examines some of the consequences of the kind of responsibility frame constructed around the SARS crisis in these accounts. As our findings show, there is an entity that the early news accounts studied consistently held responsible for the 2003 SARS crisis, the Chinese system, and the corresponding responsibility frame at operation in these accounts is thematic rather than episodic in nature, since it consistently places the SARS crisis within a broader context (a product of "China" itself and/or of societal-governmental forces in China) rather than in relation to a specific episode or as the result of the particular actions of individuals. The SARS crisis narrative therefore presented in these accounts tells the story of an anachronistic Chinese system faced with a contemporary health threat that, by its very nature, it is incapable of assessing accurately or managing responsibly. By way of conclusion, we argue that, while the use of such a thematic frame to explain China's role in the 2003 SARS crisis may be accurate in certain respects, this frame falls short in other respects and proves particularly inadequate to the challenge of capturing the economic complexities of China's role during the crisis. [source] Religion and the media turn: A review essayAMERICAN ETHNOLOGIST, Issue 2 2010MATTHEW ENGELKE ABSTRACT In this review essay, I consider three recent collections, one edited by anthropologists, one by an art historian, and one by a philosopher, that reflect on what might be called "the media turn" in religious studies. I situate these collections in relation to broader trends and interests within anthropology, religious studies, and media studies, focusing in particular on the idea of religion as mediation, which involves, in part, a turn away from conceptions of belief and toward materiality and practice. [religion, media, materiality, belief, the public sphere] [source] Nonviolence and Media StudiesCOMMUNICATION THEORY, Issue 2 2005Vamsee Juluri This article proposes a meeting of media studies and the philosophy of nonviolence in order to better critique the tendency in popular media discourses about war and international conflict to naturalize violence as an eternal and essential human trait. Nonviolence exposes certain foundational myths about violence in the media; namely, the myths that violence is cultural (as implied in the "clash of civilizations" thesis), historical, or natural. However, this is possible only if nonviolence is retrieved from its present marginalization as a mere technique for political activism or personal behavior and understood more accurately as a coherent, universal, practical worldview that can inform a critical engagement with media discourses of violence. Using Gandhi's writings on nonviolence, this essay aims to initiate such an understanding, particularly in connection with existing critical approaches to media violence, such as cultivation research and cultural studies, and concludes by proposing a set of concrete questions for media research based on nonviolence. [source] International Communication, Ethnography, and the Challenge of GlobalizationCOMMUNICATION THEORY, Issue 3 2003Patrick D. Murphy This article articulates media ethnography with international communication theory in the context of globalization. It explores the history and regional trajectories of media ethnography, as well as anthropology's epistemological and political issues of representation that have become relevant to media studies. The authors argue that rethinking the limits and potential of media ethnography to address cultural consumption also necessarily involves considering how ethnography can serve to engender a vision of international communication theory grounded in the practices of everyday life. This reformulation is crucial at a time when some media scholars celebrate difference via microassessments of postcolonial locales and the plurality of cultures without attempting to consider global structural concerns. In fact, the authors argue, if media ethnographies are rigorously developed, they can offer international communication theory the material to bridge the gap between meaning and structure without losing site of the complexity, context, and power imbalances inherent in processes of globalization. [source] |