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Master Narratives (master + narrative)
Selected AbstractsDisrupting the Master Narrative: Global Politics, Historical Memory, and the Implications for Naturalization EducationANTHROPOLOGY & EDUCATION QUARTERLY, Issue 1 2010Daryl M. Gordon Dramatic increases in immigration pose challenges for democratic citizenship education to involve national members with different historical memories and current experiences of national belonging. The article draws on ethnographic research with Laotian refugees, who were the target of U.S. violence during the Vietnam War and later became naturalized U.S. citizens. The author contrasts the narrative of citizenship that informs naturalization education with complex ideologies of citizenship articulated by refugees. She argues that a nuanced understanding of citizenship can lead to more meaningful naturalization education, which is necessary to produce citizens with a full sense of national membership and agency in the democratic process.,[naturalization, national belonging, citizenship education, refugees] [source] Southern Trauma: Revisiting Caste and Class in the Mississippi DeltaAMERICAN ANTHROPOLOGIST, Issue 2 2004JANE ADAMS ABSTRACT Two classic ethnographies, Hortense Powdermaker's After Freedom: A Cultural Study in the Deep South and John Dollard's Caste and Class in a Southern Town, contributed to a "master narrative" of the Mississippi Delta and the South that viewed class largely through the lens of race. Their work contributed to the community studies and culture and personality traditions and became part of the public discourse of race in the United States. This article examines the institutional and theoretical frameworks within which they worked. We focus on three aspects of their work: (1) their definition of class that left race as the only salient social divide; (2) their portrayal of middle- and upper-class statements as normative; and (3) their uncritical use of data from elsewhere in the South to interpret their Indianola data. We report the events at the Yale Institute of Human Relations that led Dollard to publish before Powdermaker. [source] FROM REVOLUTION TO MODERNIZATION: THE PARADIGMATIC TRANSITION IN CHINESE HISTORIOGRAPHY IN THE REFORM ERAHISTORY AND THEORY, Issue 3 2010HUAIYIN LI ABSTRACT Chinese historiography of modern China in the 1980s and 1990s underwent a paradigmatic transition: in place of the traditional revolutionary historiography that bases its analyses on Marxist methodologies and highlights rebellions and revolutions as the overarching themes in modern Chinese history, the emerging modernization paradigm builds its conceptual framework on borrowed modernization theory and foregrounds top-down, incremental reforms as the main force propelling China's evolution to modernity. This article scrutinizes the origins of the new paradigm in the context of a burgeoning modernization discourse in reform-era China. It further examines the fundamental divides between the two types of historiography in their respective constructions of master narratives and their different approaches to representing historical events in modern China. Behind the prevalence of the modernization paradigm in Chinese historiography is Chinese historians' unchanged commitment to serving present political needs by interpreting the past. [source] Writing Eighteenth-Century Women's Literary History, 1986 to 2006LITERATURE COMPASS (ELECTRONIC), Issue 6 2007Betty A. Schellenberg Under the influence of feminist theory and criticism, the late 1980s saw a flowering of literary histories of eighteenth-century women writers. This work was very influential in assuming the existence of a distinct women's literary history conditioned by an increasingly rigid gender ideology of the time, in focusing on the novel genre, and in creating appreciation for the more recognizably feminist writers of the early and latter portions of the ,long eighteenth century'. Subsequent work questioned the dependence of these histories on the ,separate spheres' model of gender, on a limited group of genres associated with women and with the literary, and on notions of feminism congenial to the late-twentieth-century critic. More broadly, feminist generalizations of women's experience were challenged by the rise of class, race and sexuality studies, while the very enterprise of historiography was placed under suspicion by postmodernist criticism of master narratives and of claims to objective interpretation of evidence. In response, studies of eighteenth-century women's writing began to attend to a broader range of genres and spheres of action within the larger field of print culture, as well as to produce more nuanced studies of individual writers and the conditions within which they wrote. However, general literary studies remained dependent on the models of the 1980s, while writers seemed reluctant to write new literary histories. Only recently are there indications of a return to large-scale women's literary histories. This return revises the pioneering work of the 1980s by attending to new, detailed studies of numerous individual writers, expanding generic coverage, incorporating electronic resources, experimenting with inclusive studies of male and female writers, and reconsidering questions of literary value. [source] |