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Literary Works (literary + work)

Distribution by Scientific Domains

Humanities and Social Sciences	71%

Selected Abstracts

An Epistemological Basis For Linking Philosophy and Literature

METAPHILOSOPHY, Issue 3 2002
Tzachi Zamir
In this article I attempt to present an explanation that integrates the five features needed for the cognitive (knowledge-yielding) linking of philosophy and literature. These features are, first, explaining how a literary work can support a general claim. Second, explaining what is uniquely gained through concentrating on such support patterns as they appear in aesthetic contexts in particular. Third, explaining how features of aesthetic response are connected with knowledge. Four, maintaining a distinction between manipulation and adequate persuasion. Five, achieving all this without invoking what David Novitz has called "a shamelessly functional and didactic view of literature." [source]

The Influence of Ivan Turgenev's Sportsman's Sketches on the Stories of Detlev von Liliencron

ORBIS LITERARUM, Issue 2 2001
Barbara Burns
Although Detlev von Liliencron (1844,1909) cited the Russian writer Ivan Turgenev (1818,1883) as one of the greatest influences on his literary work, the exact nature of the connection between them has not been investigated. The article examines aspects of Turgenev's early work A Sportsman's Sketches which made a particular impression on Liliencron and which, it is argued, served as a model for the development of scenes and characters in Liliencron's own prose. The similarities and differences in the two writers' world-views and creative scope are considered, and the significance of Turgenev's impact on the formative period of Liliencron's artistic career is evaluated. [source]

The Xhosa Cattle-Killing Movement in History and Literature

HISTORY COMPASS (ELECTRONIC), Issue 6 2009
Andrew Offenburger
In South Africa's Eastern Cape frontier zone, a millenarian movement known as the Xhosa Cattle-Killing (1856,1857) devastated local populations and stunned observers. How could the messages of its prophetess, Nongqawuse, and the exhortations of her uncle, Mhlakaza, lead to the slaughter of hundreds of thousands of cattle, to the death of tens of thousands of people, and to the subjugation of the Xhosa? Historians and authors of literary works have attempted to answer this question, and their explanations have followed the contours of South African history through three general phases. The first (1857,1947) characterized the movement as a failed revolt against British expansion and a necessary step in social and religious Darwinism. The second period (1948,1988) saw the continuation of these interpretations, and, with National Party rule and the rise of the Black Consciousness Movement, an increasingly radical group of historians brought about politicized and alternative interpretations embedded in Xhosa oral history. The third phase (1989,) began with the publication of Jeff Peires'The Dead Will Arise, which renewed interest in the history and has inspired a new wave of historical critique. [source]

The political role of illness narratives

JOURNAL OF ADVANCED NURSING, Issue 6 2000
Jurate A. Sakalys PhD RN
The political role of illness narratives Cultural criticism is used to describe the political role of autobiographical illness narratives or pathographies. In expressing the subjective experience of illness, authors of pathographies illuminate ideological differences between patient and health care cultures, reveal the dominance of health care ideologies, and explicate patients' moral and political claims. The contributions of these literary works to nursing practice provide direction for relational restructuring. Gadow's concept of the relational narrative is proposed as a way to restore patient subjectivity and agency and establish the dialogue necessary for cultural pluralism in nursing and health care. [source]

The Reintroduction of Ethics to Eighteenth-Century Literary Studies

LITERATURE COMPASS (ELECTRONIC), Issue 7 2010
Elizabeth Kraft
The 1980s and 1990s witnessed a ,turn to ethics' in literary criticism in general and in criticism of the literature of the long 18th century in particular. Wayne Booth's The Company We Keep was instrumental in turning our attention to the relationship between books and readers, a relationship that he figured as a ,friendship' with the kinds of ethical demands that attend all friendships. A highly regarded work, Company influenced subsequent studies, such as my Character and Consciousness in Eighteenth-Century Comic Fiction, but it was not until critics such as Melvyn New and Donald Wehrs began to situate literary analysis in terms drawn from the philosophy of Emmanuel Levinas that ,ethical criticism' of the field would become an identifiable ,school' of 18th-century studies. Building on, but diverging from, the political emphases of race, class, and gender, ethical critics insist on the ,otherness' of the text and its resistance to our ideologies and assumptions. My Women Novelists and the Ethics of Desire, for example, reads the works of women writers as statements of ethical agency rather than as evidence of political objectification. Edward Tomarken's Genre and Ethics similarly attends to the voices of literary works in their own contexts, meeting them face-to-face (in Levinasian terms) before asking questions regarding political implications or assumptions. The ,turn to ethics' is not a turn away from politics, however, for the impact of the ethical encounter will have real-world consequences. Therefore, ecocriticism and disability studies are likely to become growth areas in 18th-century ethical readings in the near future as these concerns surfaced in the period itself and are two subjects that dominate our own social, political, and ethical lives as well. [source]

CRITICISM OF LITERATURE AND CRITICISM OF CULTURE

RATIO, Issue 4 2009
Stein Haugom Olsen
There is a class of critics who are dissatisfied with the academic status of literary criticism and who want to re-establish for literary criticism the status it possessed in the early and mid nineteenth century as simultaneously cultural and social criticism. This is an impossible task. The ,cultural critics' of the nineteenth century possessed their authority because they were without competition and because they could command the attention and respect of the whole of the literate audience. However, at the end of the nineteenth century intellectual authority came to be based in specialised academic disciplines and individual authority was undermined and ultimately disappeared. At the same time, the arrival of universal literacy in Britain fragmented and ultimately destroyed the generally educated audience to which the cultural critics addressed themselves. Consequently there is today no role for the cultural critic. Literary critics cannot speak with authority about social, political, or cultural questions. They can, however, speak with authority about literature. Whether or not this criticism can be grounded in disciplinary knowledge, it serves a necessary function for an audience that no longer possesses the skill of reading literary works and lacks the background knowledge that is necessary to make sense of literature. [source]

Copyright Protection for Computer Programs in South Africa: Aspects of Sui Generis Categorization

THE JOURNAL OF WORLD INTELLECTUAL PROPERTY, Issue 4 2009
Lee-Ann Tong
This article considers the protection of computer software in South Africa. It deals specifically with copyright of computer programs as provided for in the Copyright Act 98 of 1978 which makes provision for the categorization of computer programs as a sui generis category of works distinct from literary works. It explores the level of copyright protection under this regime with reference to aspects like the subsistence of copyright, authorship, ownership, duration, moral rights and infringement. It also considers the effect of the sui generis categorization on compliance with the Agreement on Trade-Related Aspects of Intellectual Property Rights and the anomalies that arise in the protection of preparatory work and computer programs. The focus is primarily on South African law. [source]