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Literary Evidence (literary + evidence)

Distribution by Scientific Domains
Humanities and Social Sciences75%

Selected Abstracts

Defining paganism in the Carolingian world

EARLY MEDIEVAL EUROPE, Issue 4 2007
James Palmer
Generations of scholars have looked for evidence of ,paganism' in continental sources from the eighth and ninth centuries. This paper surveys some of the key problems in defining and conceptualizing the available literary evidence for such a project. Part one argues for a return to the sources to help escape the intellectual baggage created by discussions of ,pan-Germanic paganism', interpretatio Romana and, more recently, folk practices. From the perspective of the sources' producers, paganism needs to be understood as a category of difference employed to provide a better definition of Christianity itself. In part two this line of thought is pursued through a brief study of the ways in which classical learning framed not only Carolingian attitudes to paganism, but also related strategies of moralizing. [source]

Camels and Arabian balîya and other forms of sacrifice: a review of archaeological and literary evidence

ARABIAN ARCHAEOLOGY AND EPIGRAPHY, Issue 1 2009
Geoffrey KingArticle first published online: 17 APR 200
The paper surveys the recent archaeological information for the balîya immolation tradition of pre-Islamic Arabia, whereby a camel or other valued animal was slaughtered to accompany a person of status in death so that they had an animal to ride or to maintain their status in the afterlife. In contrast to the dhibh immolation, which is prescribed in the Holy Qur'ân in memory of the sacrifice of the Prophet Ibrâhîm, the balîya is forbidden in Islam. Unlike the dhibh immolation, the balîya sacrifice was interred whole and provides precise archaeological information about the circumstances of its slaughter and burial. Information about such immolations derives largely from excavations in southern and eastern Arabia. [source]

THE IMPORTANCE OF COLOUR ON ANCIENT MARBLE SCULPTURE

ART HISTORY, Issue 3 2009
MARK BRADLEY
This article explores the significance of paint and pigment traces for understanding the aesthetics and artistic composition of ancient marble architectural and statuary sculpture. It complements the pioneering technical and reconstructive work that has recently been carried out into classical polychrome sculpture by approaching the subject from the perspective of the cultural history of colour and perception in the ancient world. The study concentrates in particular on the art of imperial Rome, which at the present time is under-represented in the field. By integrating visual material with literary evidence, it first reviews some of the most important pieces of sculpture on which paint traces have survived and then assesses the significance of sculptural polychromy under four headings: visibility, finish, realism and trompe-l'oeil. Finally, it considers some of the ways in which polychromy can enrich our understanding and interpretation of the Prima Porta statue of Augustus. [source]

Uterine perfusion following laparoscopic clipping of uterine arteries at myomectomy

AUSTRALIAN AND NEW ZEALAND JOURNAL OF OBSTETRICS AND GYNAECOLOGY, Issue 5 2009
David M. B. ROSEN
Laparoscopic clipping of uterine arteries facilitates laparoscopic myomectomy with minimal blood loss. This paper shows the return to normal myometrial perfusion following this procedure with literary evidence of the safety and efficacy of this technique. [source]