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Animal Communication (animal + communication)
Selected AbstractsBook review: Evolution of Communicative Flexibility: Complexity, Creativity, and Adaptability in Human and Animal CommunicationAMERICAN JOURNAL OF HUMAN BIOLOGY, Issue 3 2009Klaus Zuberbühler No abstract is available for this article. [source] Intra- and Intersexual Selection for Multiple Traits in the Peacock (Pavo cristatus)ETHOLOGY, Issue 9 2005Adeline Loyau Animal communication involves a multitude of signals ranging from morphological to behavioural traits. In spite of the diversity of traits used in animal signalling, most studies of sexual selection have focused on single male traits. Moreover, the two forces of sexual selection (male,male competition and female preference) may target different traits and favour the diversification of male signalling. Still, little is known on the combined effects of intra- and intersexual selection on the evolution of multiple signals. The peacock is often cited as one of the best examples of the strength of sexual selection in producing exaggerated traits. Here, we investigated traits under intra- and intersexual selection in a population of free-ranging common peafowl. Peacocks with longer trains and tarsi were more likely to establish a display territory in a central position within the lek and had a higher number of intrusions and agonistic interactions. These traits appeared therefore to be under intrasexual selection. Female selection was assessed as the number of copulations. Mating success was positively correlated with behavioural traits (display activity) and with train ornamentation (number and density of ocelli) suggesting that females use multiple cues during mate selection. Therefore, intra- and intersexual selection seem to operate on different sets of traits. Overall, our results stress the role of multiple receivers on the evolution of multiple signals. [source] The Importance of Visual Cues for Nocturnal Species: Eagle Owl Fledglings Signal with White Mouth FeathersETHOLOGY, Issue 10 2007Vincenzo Penteriani Complex begging display by bird offspring has predominantly been investigated in diurnal species, which have conspicuous gape colours or plumage features. In nocturnal species, in contrast, such visual communication has received little attention because the assumption is that they exclusively rely on vocal communication. Here, we use a field experiment to investigate whether eagle owls, Bubo bubo, communicate through visual signals at night. We artificially decreased the brightness of the white feathers surrounding fledgling eagle owls' mouths during the post-fledging dependence period, and investigated the effect of this treatment by comparing the condition of these birds to that of birds who received a control treatment. Several physiological parameters considered in our analyses indicate that control owlets were in better condition than owlets with brightness-reduced mouth feathers, which suggests that they received more or better food from feeding parents who discriminated between those young. Brightness-dependent reactions of parent owls suggest that visual signalling may be more widely employed than previously thought, and studying birds at night may reveal sophisticated strategies of animal communication. [source] Display Plasticity in Response to a Robotic Lizard: Signal Matching or Song Sharing in Lizards?ETHOLOGY, Issue 10 2006C. Brian Smith Many territorial songbirds alter the structure of their songs after listening to and interacting repeatedly with the same neighbors. Here, we use a robotic lizard to test for similar learned changes in signal structure in male Sagebrush lizards, Sceloporus graciosus. Subjects were exposed to two types of headbob displays (species-typical and unusual) both in short-term tests and in repeated exposures for 10 d. We found no evidence for immediate changes in signal structure to match a particular opponent (signal matching) or long-term changes after repeated exposure (,song' sharing). If anything, the lizards' displays became less like that of the robotic stimulus over time. Further tests of other taxa are needed to identify the evolutionary forces that lead to these forms of behavioral plasticity and to determine whether song sharing and signal matching are unique characteristic of songbirds. Lizards also became more agitated and produced more highly aggressive displays of their own when confronted with headbob displays that violated the basic syntactic structure of their display system, confirming that they were paying attention to subtle differences in display structure despite the artificial nature of the treatments. Thus, our study also adds to the growing evidence supporting the use of robotic playbacks to study animal communication. [source] Does Lateral Presentation of the Palmate Antlers During Fights by Fallow Deer (Dama dama L.) Signify Dominance or Submission?ETHOLOGY, Issue 5 2002Dómhnall J. Jennings A central aim of the study of animal communication is to identify the mode and content of information transferred between individuals. The lateral presentation of the antler palm between male fallow deer has been described as either a signal of individual quality or an attempt to avoid fighting. In the first case two phenotypic features have been proposed by which transmission of individual quality may be facilitated. These are antler size and antler symmetry. The alternative hypothesis proposes that the lateral presentation of antlers occurs as a consequence of averting a threatening posture and may signify a reluctance to fight. We examined whether mature fallow deer use lateral palm presentation as a display during fights to indicate antler size and symmetry. We found no relationship between presentation rate of the antler and antler size and symmetry. Furthermore, males did not preferentially present their larger antler to their opponent. We also investigated whether the rate at which males presented antlers laterally during a fight was related to their ability to win the fight. Our results show that the male who performed more presentations during a fight was more likely to lose it. There were behavioural differences in the way in which a bout of presentation ended; subsequent losers tended to turn their body away from their opponent and subsequent winners tended to lower their antlers to an opponent which we interpret as an invitation to continue fighting. We conclude that the lateral palm presentation serves to de-escalate fighting between mature fallow deer. It is not a mechanism by which to communicate individual quality but rather an indication that a male is less committed to continuing investment in the current contest. [source] Language out of Music: The Four Dimensions of Vocal LearningTHE AUSTRALIAN JOURNAL OF ANTHROPOLOGY, Issue 3 2008Nicholas Bannan A growing consensus drawing on research in a wide variety of disciplines has, over the last fifteen years or so, argued the need to revisit Darwin's conjecture of 1871 that language may be descended from an existing, musical medium of communication that developed from animal calls. This paper seeks to examine, in an extension of Hockett's analysis of the design features required for linguistic communication, the nature of the acoustic information produced and perceived in human vocalisation, and to consider the anatomical and neural mechanisms on which these depend. An attempt is made to sketch an evolutionary chronology for key prerequisites of human orality. Cross-species comparisons are employed to illuminate the role of four acoustic variables (pitch, duration, amplitude and timbre), viewing the potential for human vocal productivity from the perspective of animal communication. Although humans are the only species to combine entrainment to pulse with attunement to precisely-tracked pitches, we also depend both for musical interaction and the production and perception of vowel sounds on precise and conscious control of the property of timbre. Drawing on, amongst others, Scherer's analyses of emotionally triggered sounds in a variety of species, and Fernald's presentation of the similarities of infant cries and adult production of infant-directed speech in a variety of cultures and languages, a case is made for the instinctive components of human communication being more music-like than language-like. In conclusion, historical and comparative data are employed to outline the adaptive and exaptive sequence by which human vocal communication evolved. The roles of selective pressures that conform to different adaptive models are compared,natural selection, sexual selection, group selection,leading to the proposal that all of these must have played their part at different stages in the process in a ,mosaic' model consistent with the development of other human traits. [source] | ||||||||||