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Gender Politics (gender + politics)
Selected AbstractsDemocratization and State Feminism: Gender Politics in Africa and Latin AmericaDEVELOPMENT AND CHANGE, Issue 3 2002Ihejirika, Philomina E. Okeke This article addresses the link between state feminism and democratization in the global South. The authors use the contrasting cases of Chile and Nigeria to show some of the factors that encourage women to exploit the opportunities presented by transitions to democracy, and link the outcome of state feminism to the strategies and discourses available to women during democratization. Based on evidence from the cases analysed, the authors propose that the strategic options available to women are shaped by at least three factors: (1) the existence of a unified women's movement capable of making political demands; (2) existing patterns of gender relations, which influence women's access to arenas of political influence and power; and (3) the content of existing gender ideologies, and whether women can creatively deploy them to further their own interests. State feminism emerged in Chile out of the demands of a broad,based women's movement in a context of democratic transition that provided feminists with access to political institutions. In Nigeria, attempts at creating state feminism have consistently failed due to a political transition from military to civilian rule that has not provided feminists with access to political arenas of influence, and the absence of a powerful women's movement. [source] In the Name of Harmony and Prosperity: Labor and Gender Politics in Taiwan's Economic RestructuringAMERICAN ANTHROPOLOGIST, Issue 2 2005HILL GATES No abstract is available for this article. [source] A Tale of Two Countries: State, Society, and Gender Politics in Iran and Afghanistan1THE MUSLIM WORLD, Issue 4 2004Valentine M. Moghadam First page of article [source] Pro-War and Prothalamion: Queen, Colony, and Somatic Metaphor Among Spenser's "Knights of the Maidenhead"ENGLISH LITERARY RENAISSANCE, Issue 2 2007Benjamin P. Myers This essay charts the points of contact - or more precisely the "overlay" - between Spenser's gender ethics, his experience of the Irish landscape, and his singular reception of the Petrarchan literary heritage. Spenser portrays the Queen as Petrarchan lover against the background of a male-driven conquest of the feminized landscape, a juxtaposition in which the love-frowardness of the Petrarchan lady is translated into the frowardness of a queen hesitant to take the expensive and potentially devastating steps necessary for the expansion of her empire. Spenser uses the traditional metaphor of the land as female body to link colonial approaches to land with staunchly Protestant conceptions of marriage, working a double sense of "husbandry" to criticize the Queen for her restraint in supporting the Irish project. In an act of colonial poetic production unmatched in its era, the Faerie Queene presents a system of similitudes centering on the female body, the land, and literary history in which each term is a means of morally interpreting the remaining two. To grasp the full weight behind the colonial politics and the gender politics of the Faerie Queene one must attempt to read these three terms, often interpreted independently, as a carefully constructed nexus of meaning. To do so is to read the poem reading itself. [source] New Perspectives on Female SuffrageHISTORY COMPASS (ELECTRONIC), Issue 1 2005Sarah A. Buck By focusing on the history and historiography of Mexican women's acquisition of the right to vote between the 1920s and 1950s, this article uses Mexico as a case study to point to broader trends in scholarship on female suffrage. The author argues that the symbolic or representational value (the meaning) of women voting has carried more weight historically than how women actually voted (the act of female voting). Nonetheless, women's presumed effect on elections, through the act of voting, has shaped the rhetoric and history of female suffrage. By examining female suffrage through the lens of gender politics and gender history, one can see how and why often problematic, and even fallacious images, meanings, or symbols of women as inept political actors have been constructed. [source] Political Consequences of the New InequalityINTERNATIONAL STUDIES QUARTERLY, Issue 3 2001Craig N. Murphy This article proposes agendas for teaching and research about shifting global patterns of equality and inequality, a very different agenda than was appropriate when the last undergraduate professor was president of ISA, almost forty years ago. Today, unlike in that Cold War world, formal democracy is flourishing, state power is diminishing, gender inequality has diminished, and income inequality has risen. Consequences of these new patterns that demand our attention as teachers and scholars include: (1) more frequent protracted social conflicts, (2) a newly politicized sphere of international public health, (3) the new global gender politics, (4) the new global politics of the super-rich, and (5) the new politics and ethics of the world's privileged, a group that includes most ISA members and most of our students. Our responsibilities as teachers have grown, in part, because popular media present a decreasingly coherent picture of each of these patterns; and that incoherence, itself, may help sustain global inequalities. [source] RACE, RELIGION, AND THE CONTRADICTIONS OF IDENTITY: A THEOLOGICAL ENGAGEMENT WITH DOUGLASS's 1845 NARRATIVEMODERN THEOLOGY, Issue 1 2005J. KAMERON CARTER This essay is about identity and the place of religion and theology in how it is thought about and performed. I purse this subject through a theologically informed reading of the 1845 Narrative of the Life of Frederick Douglass. Taking Douglass's Narrative as emblematic of how identity continues to be conceived, I explain what is promising in the close link forged between religion, theology and culture. The promise of Douglass's Narrative resides in the emancipatory politics of race that it produces and the creative use of the theology of Easter in that politics. But I also explore the contradictions arising from that link,in particular, Douglass's oppressive gender politics. To overcome this problem, I conclude the article by pushing Douglass's cultural reading of identity and the Cross in a more robust theological direction, a direction that gestures towards a theology of Israel and of Pentecost. [source] The Gender Ethics and Politics of Affection: The ,Feminine'Melodramatic Mode in Walter Salles' Central do Brasil (1998)BULLETIN OF LATIN AMERICAN RESEARCH, Issue 2 2010JULIÁN DANIEL GUTIÉRREZ-ALBILLA This article reads Walter Salles's Central do Brasil (1998) through a reappraisal of the film's relationship to melodrama in order to emphasise the significance of the association of affect with ethical judgment in thinking about the complex and contradictory gender politics of the film, thereby challenging the conventional tension between pathos and logos. Using a number of filmic and psychoanalytic theories, this article argues that Central do Brasil's melodramatic search for a ,space of innocence' in the Sertão could offer less a nostalgic return to anachronistic forms of living than a survival strategy for living in late modernity. Finally, this article argues that Central do Brasil, while lamenting the state's withdrawal from the public sphere, calls for an ethical imperative that is associated with a ,feminine' responsible and generous capacity to embrace the other as a necessary form of social and political action for the redefining of citizenship in Brazilian neoliberal society. [source] |