Embodied Experience (embodied + experience)

Distribution by Scientific Domains


Selected Abstracts


Dismantling the Built Drawing: Working with Mood in Architectural Design

INTERNATIONAL JOURNAL OF ART & DESIGN EDUCATION, Issue 1 2010
Randall TealArticle first published online: 15 MAR 2010
From the late Middle Ages onward an emphasis on the rational and the technical aspects of design and design drawing gained hold of architectural practice. In this transformation, the phenomenon of mood has been frequently overlooked or seen as something to be added on to a design; yet the fundamental grounding of mood, as described in Martin Heidegger's philosophy, is anything but secondary to our experience of the world. In fact, other facilities such as embodied experience, tactile and spatial awareness, and temporal perception all spring from the basic encounter with mood. In this article I describe how a lack of attunement to, and limited ability with, the various manifestations of mood perpetuates a disconnection between the architectural drawing and real buildings. I argue that as long as educational frameworks relegate the emotional and experiential to the place of a supplement, then our design processes will continue to unconsciously promote environments of thinness and superficiality. [source]


Paradoxes of Pitch Space

MUSIC ANALYSIS, Issue 1 2008
Candace Brower
ABSTRACT Parallels between the mathematics of tiling, which describes geometries of visual space, and neo-Riemannian theory, which describes geometries of musical space, make it possible to show that certain paradoxes featured in the visual artworks of M. C. Escher also appear in the pitch space modelled by the neo-Riemannian Tonnetz. This article makes these paradoxes visually apparent by constructing an embodied model of triadic pitch space in accordance with principles drawn from the mathematics of tiling, on the one hand, and from cognitive science, on the other , specifically, the notion that our experience of pitch relationships is governed in part by the metaphorical projection of patterns abstracted from embodied experience known as image schemas. These paradoxes are illustrated with reference to passages drawn from four compositions to whose expressive character such paradoxes contribute: the fifteenth-century motet ,Absalon fili mi'; the finale of Haydn's String Quartet in G major, Op. 76 No. 1; Brahms's Intermezzo in B minor, Op. 119 No. 1; and Wagner's Parsifal. [source]


Time(lessness): Buddhist perspectives and end-of-life

NURSING PHILOSOPHY, Issue 3 2007
Anne Bruce RN PhD
Abstract, The perception of time shifts as patients enter hospice care. As a complex, socially determined construct, time plays a significant role in end-of-life care. Drawing on Buddhist and Western perspectives, conceptualizations of linear and cyclical time are discussed alongside notions of time as interplay of embodied experience and concept. Buddhist understandings of self as patterns of relating and the theory of ,dependent origination' are introduced. Implications for understanding death, dying and end-of-life care within these differing perspectives are considered. These explorations contribute to the growing dialogue in nursing between Buddhist and Western traditions. [source]


PIGS FOR THE GODS: BURNT ANIMAL SACRIFICES AS EMBODIED RITUALS AT A MYCENAEAN SANCTUARY

OXFORD JOURNAL OF ARCHAEOLOGY, Issue 2 2004
YANNIS HAMILAKIS
Summary. The archaeology of animal sacrifice has attracted considerable attention, although discussions on the meanings and social effects of the practice in different contexts are rather under-developed. In the Aegean, classical antiquity has provided abundant literary, zooarchaeological and iconographic evidence (and has inspired some excellent studies) but it has also overshadowed discussion on sacrifice in other periods. Until recently, it was assumed that burnt animal sacrifices (i.e. the ritual burning of bones or parts of the carcass, often taken to be offerings to the deities) were absent from the pre-classical contexts. Recent studies have shown this not to be the case. This article reports and discusses evidence for burnt animal sacrifices from the sanctuary of Ayios Konstantinos at Methana, north-east Peloponnese. It constitutes the first, zooarchaeologically verified such evidence from a sanctuary context. The main sacrificial animals seem to have been juvenile pigs, which were transported as whole carcasses into the main cultic room; non-meaty parts were selected for burning whereas their meaty parts were first consumed by humans and then thrown into the fire (some neonatal pigs may have been thrown into the fire whole). The article integrates zooarchaeological, other contextual, and comparative archaeological evidence and explores the social roles and meanings of sacrifice in the Mycenaean context and more broadly. It is suggested that, rather than focusing on possible continuities of the practice through to the classical period (an issue which remains ambiguous), sacrifice should be meaningfully discussed within the broader framework of the archaeology of feasting, and more generally food consumption, as a socially important, sensory embodied experience. The evidence from Ayios Konstantinos may reveal a hitherto eluding phenomenon: small-scale, sacrificial-feasting ritual in a religious context, conferring cosmological and ideological powers on few individuals, through the participation in an intense, embodied, transcendental experience. [source]


Categorization bases and their influence on product category knowledge structures

PSYCHOLOGY & MARKETING, Issue 6 2002
José Antonio Rosa
This study examines the relationship between categorization bases and the persistent use of specific categories in the motorcycle industry. Categorization bases are distinguished from one another and classified based on their distance from embodied experience. The relationship between the different classes that emerge and the number of years that specific category labels remain part of the market conversation is subsequently explored. The fundamental proposition is that categorization bases that are close to embodied experience, such as perceptible properties and affordances, will give rise to shorter-lived categories relative to categorization bases that are further removed from embodied experience, such as historical criteria and scientific authority. Market stories from published sources are content analyzed and coded, and used as sources of industry categories. Analysis reveals that four categorization bases,usage scripts, scientific authority, experiential wholes, and affordances,are associated with greater category persistence in the motorcycle market when used as the primary basis for categorization, whereas perceptible properties, metaphorical creations, and historical criteria were associated with lower-persistence categories. The results were not perfectly aligned with a strict distance-from-embodied-experience argument, and their implications for future research and theory are discussed. © 2002 Wiley Periodicals, Inc. [source]


Dancing The Past Into Life: The Rasa, Nrtta and R,ga of Immigrant Existence.

THE AUSTRALIAN JOURNAL OF ANTHROPOLOGY, Issue 2 2000
Kalpana Ram
This paper attempts to explore the significant place that Indian ,classical' dance has held, both in postcolonial Indian nationalism, and in the middle-class Indian diaspora's efforts to transmit the cultural past. While arguing that this orientation towards culture as a set of representations signals a fundamental breakdown in a more primary relation to the past, the paper turns to Indian dance and music for a language with which to appreciate both the full magical force of representations and the persistence of a level of embodied experience which is coherent and meaningful without being representational. If the past were available to us only in the form of express recollections, we should be continually tempted to recall it in order to verify its existence, and thus resemble the patient mentioned by Scheler, who was constantly turning round in order to reassure himself that things were really there,whereas in fact we feel it behind us as an incontestable acquisition. (Merleau-Ponty, 1986:418) [source]


Entering, and returning from, the underworld: reconstituting Silbury Hill by combining a quantified landscape phenomenology with archaeoastronomy

THE JOURNAL OF THE ROYAL ANTHROPOLOGICAL INSTITUTE, Issue 2 2009
Lionel Sims
Landscape phenomenology limits the number of possible narratives for interpreting prehistoric monuments through the embodied experience of walking their remains in their landscape. While this method may improve upon an archaeology that narrows interpretation to single site excavations isolated in Euclidean space, it has been criticized for deploying unsubstantiated metaphors as an interpretative resource. Contemporary archaeoastronomy's dominant methodology submits regional groups of prehistoric monuments to rigorous statistical methods for testing whether perceived alignments were in fact intended by their builders. However, it is presently unable to saturate alignment findings with meaning, and reaches its limits when monuments are found to align on local landscape features rather than ,astronomical' bodies. Through a detailed examination of Silbury Hill in its landscape and late Neolithic/Early Bronze Age monument context, this article shows that problems in both methods can be transcended by studying the emergent properties generated by their combination. These emergent properties are consistent with the predictions of a recent anthropological model of lunar-solar conflation. Résumé La phénoménologie du paysage limite le nombre d'interprétations possibles des vestiges préhistoriques à celle obtenue par l'expérience vécue d'un arpentage dans leurs alentours. Bien que cette méthode puisse enrichir l'archéologie, qui restreint l'interprétation aux seules fouilles du site isolé dans l'espace euclidien, elle est critiquée pour l'usage de métaphores infondées comme sources d'interprétation. Par ailleurs, la méthodologie dominante de l'archéoastronomie contemporaine consiste à appliquer à des groupes régionaux de monuments préhistoriques des méthodes statistiques rigoureuses pour vérifier si les alignements perçus avaient effectivement été projetés par leurs constructeurs. Elle ne peut cependant pas saturer de signification les alignements retrouvés et atteint ses limites quand les monuments s'avèrent alignés sur des repères locaux du paysage plutôt que sur des corps « astronomiques ». À travers un examen détaillé de Silbury Hill dans son paysage et dans son contexte monumental du Néolithique et du Bronze ancien, l'article montre que les points faibles des deux méthodes peuvent être transcendés si l'on étudie les propriétés émergentes nées de leur combinaison. Ces nouvelles propriétés sont cohérentes avec les prédictions récentes d'un modèle anthropologique de rapprochement entre temps lunaire et temps solaire. [source]


Anxiety, Remembering, and Agency: Biocultural Insights for Understanding Sasaks' Responses to Illness

ETHOS, Issue 1 2009
M. Cameron Hay
When someone is ill, people respond by seeking jampi. The more anxiety surrounds the illness, the more fervently jampi are sought. This article offers a biocultural analysis of jampi, tacking between (1) ethnographic descriptions of how jampi are transmitted, recalled, and used and (2) neuropsychological evidence regarding memory, anxiety, and agency. This biocultural approach highlights the central importance of anxiety for enabling the cultural reliance on jampi through its facilitation of memorization, recall, and social action. I conclude by suggesting that through examining the importance of anxiety ethnographically we may gain insight into the embodied experiences and social and healing practices surrounding illness. [memory, emotion, agency, anxiety, illness, Indonesia] [source]


Occupational Cultures and the Embodiment of Masculinity: Hairdressing, Estate Agency and Firefighting

GENDER, WORK & ORGANISATION, Issue 6 2007
Alex Hall
Drawing on data from an Economic and Social Research Council-funded project, this article explores the implications of different occupational cultures for men's masculine identity. With a focus on embodiment and individual agency, it explores the argument that it is within ,scenes of constraint' that gendered identities are both ,done' and ,undone'. In this article we examine embodied experience in occupational cultures commonly stereotyped as ,masculine' or ,feminine' (hairdressing, estate agency and firefighting), showing how men conform to, draw upon and resist the gendered stereotypes associated with these occupations. What we argue is that gendered conceptions of ,the body' need to be differentiated from individual men's embodiment. Instead, processes of identification can be shown to emerge via embodied experiences of particular kinds of gendered body, and in the ways in which men negotiate the perception of these bodies in different occupational contexts. [source]