Critical Attention (critical + attention)

Distribution by Scientific Domains

Kinds of Critical Attention

  • little critical attention


  • Selected Abstracts


    Reading, Work, and Catholic Women's Biographies

    ENGLISH LITERARY RENAISSANCE, Issue 3 2003
    Frances E. Dolan
    This essay considers biographies of Catholic women written after their deaths, largely by priests who served as their confessors, and the saints' lives which these biographies took as their models. The purpose of this essay is twofold: to draw attention to a significant body of Catholic writing, and to use this material to shed new light on the one text of this group that has gained considerable critical attention, The Lady Falkland, Her Life, a biography of Elizabeth Cary by one of her daughters, a Benedictine nun. Considering the Life as a participant in a subgenre of Catholic biography reveals the tension between the conventions and precedents available to Cary's biographer, on the one hand, and her intractable subject, on the other. The Life, like other similar biographies, borrows from and verges on hagiography, but is particularly unsuccessful at transforming its subject into a saint. While criticism of Cary and her works continues to dwell on her as eccentric and exceptional, determined by the particularities of her own character and experience, she is as like other female subjects of Catholic biography and hagiography as she is unlike them. This can only be seen by attending to the kinds of texts that Cary and her daughter might well have read, and the parameters they set for writing an eminent Catholic woman's life. These texts figure reading and housework as the chief means by which Catholic women define and sustain their confessional identities in the hostile environment of post-reformation England. [source]


    Laying the Moral Foundations: Writer, Religion and Late Eighteenth-Century Society , The Case of J.M.R Lenz

    GERMAN LIFE AND LETTERS, Issue 2 2001
    J.M. Gibbons
    Although Lenz himself calls Meinungen eines Laien, and by implication its complement Stimmen des Laien, ,der Grundstein meiner ganzen Poesie', until recently these moral-philosophical texts have attracted little critical attention and as yet no detailed analysis. An examination of the involved theological argument developed in the latter work seeks to demonstrate that they do indeed amount to a watershed in Lenz's career. It also opens up an intriguing perspective into the changing role of the writer in later eighteenth-century society. In engaging seriously in a number of debates critical to the ,Aufklärung', Lenz also distinguishes himself from the ,Sturm und Drang' movement with which he has traditionally been associated. By laying a ,Grundstein' of faith Lenz brings his notion of the individual's duty and purpose in society, his ,Bestimmung' as explored in earlier texts, to a firm conclusion. He also articulates his own sense of , to extend the term ,,Selbstbestim-mung', in which his own role as a writer undergoes a shift away from the spheres of philosophy, theology and literature towards more concrete social and political concerns. [source]


    Art As Religious Commitment: Kafka's Debt to Kierkegaardian Ideas and their Impact on his Late Stories

    GERMAN LIFE AND LETTERS, Issue 4 2000
    Leena Eilttä
    Although Kafka's reception of Kierkegaardian ideas has received much critical attention the critics have so far paid little heed to similarities between Kierke-gaard's religious and Kafka's aesthetic views. My intention in the following is to show that in spite of Kafka's critical remarks on his philosophy, Kierkegaard's definition of a religious person influenced his description of the artist's existence in Erstes Leid (1922), Ein Hungerkünstler (1922) and Josefine, die Sängerin oder das Volk der Mäuse (1924). In these stories Kafka turns Kierkegaard's ideas about spiritual inwardness and passionate attitude towards religious life into artistic inwardness and passionate attitude towards art. He also describes how devotion that these artists feel towards their art leads to their solitude and how their lives reflect suffering, doubt and despair which is similar to Kierkegaard's description of religious suffering. Kafka's critical remarks on Kierkegaard's philosophy should therefore be understood as a clear rejection of Kierkegaard's Protestant theology, although these same ideas gave him inspiration to formulate his views on the artist's existence. [source]


    City-Regions, Neoliberal Globalization and Democracy: A Research Agenda

    INTERNATIONAL JOURNAL OF URBAN AND REGIONAL RESEARCH, Issue 1 2007
    MARK PURCELL
    This paper argues that research on city-regions could benefit from more sustained and critical attention to the question of democracy. That is, it should examine more closely how decisions in city-regions are made, why they are made that way, and how they can be made more democratically. Much current research on politics in cities has framed the issue in terms of citizenship. That work has produced great insight. However, the attention to citizenship has prompted very little attention to democracy, even though the two concepts are deeply intertwined. Current interest in city-regions opens up the possibility that a vibrant line of research on democracy can be added to and engage with that on citizenship. [source]


    DISCIPLINING THE PROFESSIONAL: THE CASE OF PROJECT MANAGEMENT*

    JOURNAL OF MANAGEMENT STUDIES, Issue 6 2002
    DAMIAN HODGSON
    Despite its rapid growth in recent years, Project Management has received very little critical attention, particularly when compared to the more ,hyped' managerial fashions such as TQM (cf. Wilkinson and Willmott, 1995) and BPR (cf. Grey and Mitev, 1995; Grint, 1994). My intention in this paper is to critically examine the ongoing construction of Project Management as a professional discipline in modern organizations. Drawing on an understanding of ,discipline' based in Foucauldian work, I will briefly trace the historical construction of Project Management as a form of managerial knowledge, outlining the key models and techniques which make up contemporary Project Management. Through an empirical study of the articulation and reproduction of Project Management within two Financial Services institutions, the everyday construction of Project Management as an ,objective' and ,abstract' body of knowledge will be described. I then contrast this with the embodied and power-laden operation of Project Management, with disciplinary effects not only on those employees whose work is restructured in line with Project Management principles but equally upon self-professed Project Management professionals themselves. [source]


    BEFORE THE ORIGINAL POSITION: The Neo-Orthodox Theology of the Young John Rawls

    JOURNAL OF RELIGIOUS ETHICS, Issue 2 2007
    Eric Gregory
    ABSTRACT This paper examines a remarkable document that has escaped critical attention within the vast literature on John Rawls, religion, and liberalism: Rawls's undergraduate thesis, "A Brief Inquiry into the Meaning of Sin and Faith: An Interpretation Based on the Concept of Community" (1942). The thesis shows the extent to which a once regnant version of Protestant theology has retreated into seminaries and divinity schools where it now also meets resistance. Ironically, the young Rawls rejected social contract liberalism for reasons that anticipate many of the claims later made against him by secular and religious critics. The thesis and Rawls's late unpublished remarks on religion and World War II offer a new dimension to his intellectual biography. They show the significance of his humanist response to the moral impossibility of political theology. Moreover, they also reveal a kind of Rawlsian piety marginalized by contemporary debates over religion and liberalism. [source]


    Where Next in Victorian Literary Studies?

    LITERATURE COMPASS (ELECTRONIC), Issue 4 2007
    Extending Cultural Boundaries, Revising the Canon, the Challenge of Interdisciplinarity
    This paper forms part of a Literature Compass cluster of articles which examines the current state of Victorian Literary Studies and future directions. This group of four essays was originally commissioned by Francis O'Gorman (University of Leeds), who also provides an introduction to the cluster. The full cluster is made up of the following articles: ,Where Next in Victorian Literary Studies? , Introduction', Francis O'Gorman, Literature Compass 4 (2007), 10.1111/j.1741-4113.2007.00467.x. ,Where Next in Victorian Literary Studies? , Revising the Canon, Extending Cultural Boundaries, and the Challenge of Interdisciplinarity', Joanne Shattock, Literature Compass 4 (2007), 10.1111/j.1741-4113.2007.00468.x. ,Where Next in Victorian Literary Studies? ,"Interesting Times" and the Lesson of "A Corner in Lightning"', David Amigoni, Literature Compass 4 (2007), 10.1111/j.1741-4113.2007.00469.x. ,Where Next in Victorian Literary Studies? , Historicism, Collaboration and Digital Editing', Valerie Sanders, Literature Compass 4 (2007), 10.1111/j.1741-4113.2007.00470.x. ,Where Next in Victorian Literary Studies? , Historicism and Hospitality', John Bowen, Literature Compass 4 (2007), 10.1111/j.1741-4113.2007.00471.x. *** This article argues that the future of Victorian literary studies will include the continuous revision and expansion of the canon, and the extension of what we regard as ,literary' texts to include writing on science, philosophy, history, medicine and related areas. Meanwhile the process of reviewing and rehabilitating unfashionable or neglected writers and consigning others to the periphery will go on, although a core of major authors will continue to attract scholarly and critical attention. There will be an increasing focus on the new histories of the book, on authorship and readership. Research on print culture in its widest sense will expand in the wake of the ongoing digitisation of printed materials, a process which ultimately will transform the way we do research. The focus on writers and texts will move from a metropolitan-centred one to embrace the literatures in English of the countries of the Empire and of North America, and more problematically, to include the literature and culture of Europe in the nineteenth century. The latter development poses a challenge to the hitherto monolingual nature of Victorian literary studies. Finally there will be a continued engagement in multi-disciplinary, cross-disciplinary if not truly interdisciplinary work that has been characteristic of Victorian Studies since its emergence in the 1950s. [source]


    Unearthing Paul Auster's Poetry

    ORBIS LITERARUM, Issue 5 2009
    James Peacock
    Little critical attention has been paid to Paul Auster's poetry. Reviewers of the recent Collected Poems tended to treat the work as an archaeological curiosity, as evidence of a young writer struggling to find the voice which would eventually allow him to write his more commercially and critically successful novels. This article argues for the intrinsic merits of the poems, and explores the ways in which Auster's verse deals with the question of the poet's relationship with the past. The past, these poems show, takes many forms: it includes Auster's literary ancestors, but also the national past and Native American civilisations. [source]


    Cognitive-Behavioural Work with Offenders in the UK: A History of Influential Endeavour

    THE HOWARD JOURNAL OF CRIMINAL JUSTICE, Issue 2 2000
    Maurice Vanstone
    Programmes premised on the cognitive-behavioural theoretical model have become an important feature of work with people who offend, and the model itself has become a cornerstone of the ,what works' enterprise in the United Kingdom. This has not occurred without critical attention from commentators in both the academic and practice worlds. This article attempts to draw together the strands of that debate, and provide a critical account of the recent history of the model's development and application within the criminal justice system that accords more significance to pioneering work in the United Kingdom than has been hitherto recognised. It is argued that one of the features of the response of the probation service to the pessimistic conclusions of research into the impact of community supervision in the 1970s was a divergence of policy and practice, the former redirecting the efforts of the service towards diversion from custody and the latter retaining its commitment to rehabilitation. While acknowledging the limitations of the cognitive-behavioural model, it is argued that by contributing positively to evidence-based, rehabilitative effort it has given impetus to a reunification of the focus of policy and practice. [source]


    Ethical investment: whose ethics, which investment?

    BUSINESS ETHICS: A EUROPEAN REVIEW, Issue 3 2001
    Russell Sparkes
    Ethical or socially responsible investment (SRI) is one of the most rapidly growing areas of finance. New government regulations mean that all pension funds are obliged to take such considerations into account. However, this phenomenon has received little critical attention from business ethicists, and a clear conceptual framework is lacking. This paper, by a practitioner in the field, attempts to fill this analytical gap. It considers what difference, if any, lies between the terms ,ethical', ,green', or ,socially responsible'. It also tackles the difficult question of how any public form of investment can be called ,ethical' in an overtly pluralistic society. The paper provides an account of the historical development of ethical investment, and traces the evolution of the varying terms used to describe it. This is followed by a conceptual analysis of these terms, and a description of ethical decision-making in this context. The paper ends by considering the role of shareholder action within ethical investment, and assesses the utility of the stakeholder model as a theoretical justification. [source]


    Seeking the "Counter," in Counterpublics

    COMMUNICATION THEORY, Issue 4 2000
    Robert Asen
    As conceptual models of the public sphere have moved toward multiplicity, "counterpublic" has emerged as a critical term to signify that some publics develop not simply as one among a constellation of discursive entities, but as explicitly articulated alternatives to wider publics that exclude the interests of potential participants. This essay attempts to forestall potential reductionism in future counterpublic theory by considering through 3 "ominous examples" how the "counter" in counter-publics may be reduced to persons, places, or topics. Instead, this essay seeks to orient critical attention to the discursive quality of counterpublics. It argues that the ways in which counterpublics set themselves against wider publics may be most productively explored by attending to the recognition and articulation of exclusion through alternative discourse norms and practices. [source]