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Meeting Places (meeting + place)
Selected AbstractsCLAIMING PLACE: THE PRODUCTION OF YOUNG MEN'S STREET MEETING PLACES IN ACCRA, GHANAGEOGRAFISKA ANNALER SERIES B: HUMAN GEOGRAPHY, Issue 3 2008Thilde Langevang ABSTRACT This article discusses the social significance of the street to young men through a case study of their street meeting places, ,the bases' in Accra, Ghana. Drawing on field research in a suburb of Accra, the paper explores how such meeting places are produced, claimed and defended. The aim is to contribute to discussions of the relationship between the marginalization of young men in Africa, the appropriation of street space and the production of youth identities. The article illuminates how bases are produced in an urban landscape characterized by rapid change, in which young men are excluded from meaningful work and influence, and tend to be represented as a problem. Describing how these meeting places are interpreted both from the outside and from within, the article illustrates the heterogeneous character of such places and the multiple meanings ascribed to them. While hordes of young men hanging out on the street tend to be viewed by the surrounding world as either potentially dangerous or as a sign of marginalization and immobility, the paper stresses that for the young men themselves, these places are also full of motion and serve to orient their lives socially and materially. [source] The Canaries: an important biogeographical meeting placeJOURNAL OF BIOGEOGRAPHY, Issue 3 2008José María Fernández-Palacios First page of article [source] ,Analytic intuition: a meeting place for Jung and Bion' by Williams, SherlyTHE JOURNAL OF ANALYTICAL PSYCHOLOGY, Issue 4 2007Katherine Killick No abstract is available for this article. [source] The Sources and Fortunes of Piranesi's Archaeological IllustrationsART HISTORY, Issue 4 2002Susan M. Dixon Susan M. Dixon earned her doctorate from Cornell University in 1991 with a dissertation on the archaeological publications of Giovanni Battista Piranesi. She studies the history of pre,scientific archaeology, from Pirro Ligorio to Piranesi, with a particular focus on illustration as a means to convey historical knowledge. She has published on this subject in a variety of venues, and is beginning a book,length manuscript on the subject. In 1995,96, she was awarded a J. Paul Getty post,doctoral fellowship to study the Accademia degli Arcadi, a society founded in 1690 primarily to restore good taste in literature, and its successes and failures in bringing about the reform of Italian society and architecture. She has written a book entitled The Bosco Parrasio: Performance and Perfectibility in the Garden of the Arcadians, which focuses on their garden meeting place as a breeding ground for a utopian society. Dr Dixon teaches art history at the University of Tulsa in Oklahoma. Giovanni Battista Piranesi (1720,1778) developed a way of representing the archaeological past by using the multi,informational image, an engraved illustration which appears to be a composite of various drawings, on various surfaces, and employing various modes of representation, scale and detail. The cartographic tradition, particularly maps from sixteenth,century Europe, offer a precedent for this type of illustration. Piranesi found theoretical underpinnings for it in contemporary discussions about the workings of the human memory, which was identified as a viable tool for those pursuing historical knowledge. His illustrations make visible the processes of memory on an assemblage of archaeological information, and they were a means to historical reconstruction. Archaeologists of the generation after Piranesi did not use the multi,informational image as the science of archaeology underwent a sea change at the end of the century. However, some compilers of travel literature, in particular Jean,Laurent,Pierre HoÃ,el, author and illustrator of Voyage pittoresque des isles de Sicile, de Malte, et de Lipari, found the format suitable to their purposes. Like Piranesi's, Hoüel's multi,informational images reveal the hand of the artist on the information he had diligently collected and ordered; Hoüel's picturesque illustrations of the southern Italian islands' people and places are self,consciously subjective. The format also makes apparent what was so appealing to many a voyager ,the apparent survival of the past in the culture of the present. [source] CLAIMING PLACE: THE PRODUCTION OF YOUNG MEN'S STREET MEETING PLACES IN ACCRA, GHANAGEOGRAFISKA ANNALER SERIES B: HUMAN GEOGRAPHY, Issue 3 2008Thilde Langevang ABSTRACT This article discusses the social significance of the street to young men through a case study of their street meeting places, ,the bases' in Accra, Ghana. Drawing on field research in a suburb of Accra, the paper explores how such meeting places are produced, claimed and defended. The aim is to contribute to discussions of the relationship between the marginalization of young men in Africa, the appropriation of street space and the production of youth identities. The article illuminates how bases are produced in an urban landscape characterized by rapid change, in which young men are excluded from meaningful work and influence, and tend to be represented as a problem. Describing how these meeting places are interpreted both from the outside and from within, the article illustrates the heterogeneous character of such places and the multiple meanings ascribed to them. While hordes of young men hanging out on the street tend to be viewed by the surrounding world as either potentially dangerous or as a sign of marginalization and immobility, the paper stresses that for the young men themselves, these places are also full of motion and serve to orient their lives socially and materially. [source] PERFORMING AUTHORITY: DISCURSIVE POLITICS AFTER THE ASSASSINATION OF THEO VAN GOGHPUBLIC ADMINISTRATION, Issue 1 2008MAARTEN HAJER In November 2004, the assassination of the filmmaker Theo van Gogh in Amsterdam by an Islamic extremist shocked The Netherlands. Critics of multiculturalism quickly linked the murder to the perceived failure of ,soft' integration policies and questioned the authority and legitimacy of Amsterdam's political leadership. This article studies the response of political leaders to those challenges from a performative perspective. Analysing governance as performance illuminates the importance of actively enacting political leadership in non-parliamentary settings such as talk shows, mosques and other religious meeting places, and improvised mass meetings in times of crisis. The authors distinguish different discursive means of performing authority, make suggestions for dealing with crisis events in ethnically and culturally diverse cities and draw some lessons from this approach as well as for methods of studying public administration. [source] The Potential of Istanbul's Unprogrammed Public SpacesARCHITECTURAL DESIGN, Issue 1 2010Hülya Erta Abstract Istanbul recreates itself constantly. A continually evolving city, it can be likened to a living organism. As Hülya Erta, explains it owes much of its vibrancy and heterogeneity to its unprogrammed spaces. These create a blank canvas for the metropolis' citizens and their activities. They are also at the essence of the city's enviable diversity, as they provide important meeting places for a rich mix of social and ethnic groups. Copyright © 2010 John Wiley & Sons, Ltd. [source] Is There a Digital Future Landscape Terrain?ARCHITECTURAL DESIGN, Issue 2 2007Lorens Holm Abstract Lorens Holm and Paul Guzzardo speculate on a future landscape enriched by digital culture. Rather than provide sanctuary or comfort zones in the event of global environmental collapse, laser\net is a model for exploring landscape terrains that establish ,agora'-like meeting places as a basis for electronic exchange and progression. Re-mix platforms thus become collaborative sites for all who seek to engage in this rurality. Copyright © 2007 John Wiley & Sons, Ltd. [source] | ||||||||||